#i like the nature and my family and friends

[marsprincess889]

How women influenced by different planets act in one-on-one relationships

Platonic, familial and/or romantic. Based on my own observations and traditional associations💕 planetary influence is present when a native has one or more nakshatras ruled by that planet in their big three(moon, ascendant, sun). If that or any other planet is conjunct sun, moon or ascendant in the chart, then it also adds its influence, but to a much lesser degree. I'd advise to read for your moon, but as always, use discernment and and do not take this information at face value.

Sun women

Krittika, Uttara Phalguni, Uttara Ashadha

The women ruled by the Sun are often seen as confident, self-possesed, bright, expressive and measured.

The Sun is well-known to be a masculine planet, that does not make sun-ruled women any less worthy in their femininity.

Sun women might be surrounded by a lot of male energy in younger years. It could have been positive or negative but all and all, they're familiar and quite comfortable with it. I don't mean they were plagued by admirers, I moreso mean they had a father figure, uncles, brothers/male cousins(usually older), male friends around them. I might be wrong but I've seen this so much in real life and in art. If that's not the case, then they can fit in and hold their own in a group of men. It's true that they're not phased by trying to be more masculine themselves(like jupiter women do sometimes) or to completely lean into traditional femininity(like moon women). They usually get love and support from men that have doubted them at first.

That leaves sun girls with an abundance of masculine energy absorbed in themselves. In one-on-one relationships they enjoy a level of independence but they value loyalty immensely. They build relationships on certain rules that come from their personal values. They look for a partner in crime and an understanding confidante more than anything else.

That's why saturn-ruled people are best for them, along with other sun-ruled individuals. Ruled by the planet of dedication and longevity, Saturn dominants understand their detachment and fixed nature, and provide the cold, hard structure for their self-expression.

Their energy is not for abuse though. They are more vulnerable and sensitive than most realize. As they are women influenced by a very masculine planet, they might feel like they're giving too much sometimes, like they're being taken for granted. As Saturn is the planet that never takes anything for granted and works for its rewards, it is not going to discard Sun's warm and "life-giving" nature. Moreover, it is going to appreciate it, respect it and try to keep up with it as best as it can. Saturn's cool and careful nature is soothing to Sun women, making them feel safe to lean into their individuality with more confidence while prividing the essential balance for a full existence.

Moon women

Rohini, Hasta, Shravana

Moon women have a simplicity about them. Traditionally a feminine planet, moon is considered to be a soft, smooth and nurturing influence.

Moon women are easy to recognize. Moon is probably the most dependant planet. They are passive in their demeanor and easily absorb influence. They often have a group of people around them, if not a group, then at least or not two, just because. That can be explained by moon's receptive but also giving nature, that gives back the smoothed, mixed essence of what it has recieved that is easily digestible. But they don't have that energy within them. They can be very accomodating while not initiating anything at all. If they do initiate, it's something similar to what the other person has initiated.

So moon thrives on dependancy. They might enjoy groups, because that way their passivity and receptivity is not held against them, and they might feel like they contribute more that way. In one-on-one relationships, they are very easy and simple, but might become stressed and on edge. Moon rules masses and the subconcious, so they need an energetically abundant planet that does not mind being drained.

Moon is, in its essence, is vampiric, so they like Sun people. They might be quite comfortable around Jupiter people, and sometimes, with Venus people(the Shravana- Purva Ashadha pairing works particularly well).

Mercury women

Ashlesha, Jyeshta, Revati

Mercury is the planet of integration and manipulation, and women ruled by it are often multi-faceted, containing the potential for adapting and the willingness to to often do so.

Mercury can be described as the "hermaphrodite" sometimes, especially Revati nakshatra. Due to this highly analytical and adaptible nature, mercury women have the ability to morph themselves into different roles, depending on who they are interacting with. Their feminine energy is based on receiving and then skillfully using whatever is given to it. Mercury is the planet that is quite different in all three of its nakshatra stages. Ashlesha, Jyeshta and Revati all have different feminine qualities, due to the three stages that they wrap up being different from each other. Venus nakshatras are different from each other too, but to a lesser degree. What all mercury nakshatras do have in common is sensitivity and skill. They change and adapt to various envirmonments, and their resourcefulness is seemingly limitless.

In one-on-one relationships they need people who can handle that "manipulative" and "nervous" nature. All yoni consorts of mercury nakshatras(Punarvasu, Anuradha, Bharani) have a theme of passivity, they all want and need that "manipulative" energy. Similarly, Mercury women themselves can thrive with people who are energetically stable/abundant but want to move and adapt. Since Mercury women have a need for stimulation and variety, they maintain relationships with people who they don't find boring AND can provide loyalty. There is no single planetary energy that is generally compatible with Mercury people, but Venus and Mercury are traditionally friends, and Venus also heals Mercury. The best example of this is Revati and Bharani(elephant yonis), but other combinations can be compatible too(except Ashlesha and Purva Phalguni, due to them being enemy yonis).

Venus women

Bharani, Purva Phalguni, Purva Ashadha

Venus_ the planet of beauty, sensuality and love is a well-known feminine force that is almost synonymous with the word.

Venus women are, before anything, choosy and exclusive. Their taste is very specific and particular, and whatever is "theirs", is theirs completely. Despite the outward serenity and composure, their internal nature is very fierce and even ruthless. That discriminating nature extends to everything in their life, where they have to be clear about the dividing lines of everything that they deem worthy, and everything else that they don't. There is also an inner drive to attain what they want/need/desire/love.

Their views on one-on-one relationships are unique, and they have very high standards, along with an attentive and giving nature. A lot of those relationships might have left them dissapointed. They seek a balanced give and take in any 1-1 bond. They might even blame themselves for not choosing correctly, since they're already very careful. They mainly want loyalty and support. As always, those relationships have to fulfill their personal desires. Someone considerate, attentive, and skilled is best for them.

There is no single planet type that will fulfill all three Venus nakshatras and most of their natives, but generally, Mercury people have what it takes to impress and keep them. They share a discriminating nature, but while Venus women are energetically abundant, loving and often passive(on 1-1), Mercury is actively "manipulative" and morphing into whatever Venus desires. The best version of this is Bharani and Revati(elephant yonis). Purva Phalguni feels best with Magha(rat yonis) and most likely will not get along with Mercurial Ashlesha(enemy cat yoni). Purva Ashadha is best with Shravana(vanar yonis). All Venusian lunar mansions are best with their uniquely preffered nakshatras. Besides them, they might form friendships with Ketu, Sun, Jupiter or Saturn nakshatras (with the exlusion of Purva Ashadha- Krittika/Pushya, Bharani-P.Bhadrapada and Purva Phalguni-Punarvasu pairs).

Mars women

Mrigashira, Chitra, Dhanishta

Mars_ the warrior planet that grants protection has been a symbol of masculinity since ancient times. That coorelation, although undeniable, does not exactly encompass the whole essence of that force, especially while considering women influenced by it.

Mars rules the energetic output_ how we spend our energy and life force. In many ways, Mars women, being the passive/feminine vessels for that triggering energy, are expressive and engaging. But unlike Mercury, that expression is geared towards the physical body. Unlike Venus, they do not have any inner discriminatory preferences that might make them that choosy. Their expression is very outward and shown on the surface, so while they can be confrontational or agitating with how they behave, they do it for protection, because that it their only mechanism of doing so.

Their heated but inwardly quite gentle nature can make them susceptible to unnecessary drainage. That's why they're another planet type that needs a giving person in 1-1 relationships. With them, a that person has to not only give, but have a true consideration of their sensitivity.

Jupiter people are famously best for these women. Jupiter natives can give their excess energy to them and ensure that their vulnerabilities are not abused. The two latter Mars nakshatras both have Jupiter nakshatras as yoni consorts and Mrigashira's yoni consort is Rohini_ a fixed but soft-natured nakshatra.

Jupiter women

Punarvasu, Vishakha, Purva Bhadrapada

Women ruled by the great benefic, the planet of greatness, plenty and godhood can be big personalities. Jupiter has seemingly infinite energy that wants to give without end, and often, they do.

Jupiter women have a very enthusiastic, almost aggressive niceness about them. They might have been surrounded and influenced by male energy since their early life like Sun women, but their true feminine power comes from being open while giving and receiving, especially when around individuals who they think need their "help" the most.

Jupiter women are the one planet type that feel the best in groups, even moreso than lunar women, and unlike them, since Jupiter wants to give to all, they might feel very uncomfortable in 1-1 relationships. That being said, they're not exactly opposed to the idea of it.

They will feel best with heated and draining planets, especially Mars. Mars can take Jupiter's abundant energy and use it to build and protect. They're famously a good pair, but other planet types can be just as compatible with Jupiter. Ketu people also have a desire to take Jupiter's energy but unlike Mars, they won't drain it to use it outwardly, instead, they'll absorb the energy completely and integrate it into their spiritual essence.

Besides them, Punarvasu nakshatra in particular will get along with Ashleshas, a Mercury nakshatra, due to them being yoni consorts (cat yonis).

Saturn women

Pushya, Anuradha, Uttara Bhadrapada

The cold planet of control and restraint is a passive but tough and unbreakable force. Saturn women find their femininity in stillness and silent, but resilient passivity.

Their strength is tested and it gains more layers through time. This kind of energy might become impossible to intimidate, so many might feel that Saturn women are never phased by life in general. More reactive or moldable people might distance themselves from them, even though on paper Saturn women are easy to like.

They find too much flux and chaos unbearable. Saturn's femininity is all about limiting and crystalizing whatever it receives, so the more stable that energy, the better Saturn women might manage in binding it, even though they can restrain and control any type of energy, no matter how messy.

Saturn ruled women might have dealt with a harsh, limiting, authoritative feminine energy in their younger years. They have learned how to manage themselves in various complicated situations. What they seek in 1-1 relationships is trust and loyalty, not too unlike Sun women. Saturn people are best with Sun people. Sun's warm influence will give their structure a heart and a "purpose". Sun is the planet that seeks out the cold, restraining influence of Saturn that matches its own stability and self-possession.

Since these women are the feminine variation of Saturnian energy, they might be extremely passive and unwilling to start anything themselves, but after they have something to hold onto, they can become actively bossy.

The similarly cold but also adaptable and changeable nature of Mercury might also be an easy and natural match for Saturn women. This pairing might be best in platonic or familial relationships, but the Anuradha-Jyeshta pair(rabbit yonis) is perfect in romantic couples too.

Rahu women

Ardra, Swati, Shatabhisha.

The north node of the moon, the dragon's/serpent's head is a shadow planet and only one half of the opposition that makes up the destiny of a person. The nodes are dependant on each other, and both of them are dependant on the moon. Even this fact gives them a very different kind of quality and essence. So, women ruled by them are a distinctive and very draining group of force.

Rahu women are the personifications of the illusion. For them it is easy to see and identify, to box and to define and label. They are adaptable, responsive, cerebral. There is a certain numb neutrality about them. They are very aware of and immersed in the material world. They can often become bored or overwhelmed by it. It is not unknown that Rahu ruled individuals might be prone to nervousness and anxiety.

Rahu women are easily susceptible to all kinds of influences, just because they absorb and then project everything around them. They can adopt behaviors from other people without noticing, but unlike Moon women(who also do this) they do not give anything back to anyone in particular, they just take it into their illusion and show it to everyone.

That is why they can be quite comfortable within groups. With personal, 1-1 relationships, difficulties can arise. They need a very particular kind of person that can handle their tense and sometimes chaotic nature and can direct their "hyper" essence towards something stable.

Ketu is the other half of Rahu and the only planet that can calm it down. The immovable and hot nature of its opposite shadow planet can help Rahu get out of the head stop its often actively paranoid behavior. Ketu can provide the spiritual substance for Rahu's material manifestations and can match its cold, active and outwardly discharging energy with its own heated, passive and absorbing essence. Obviously, the two pairs of them are yoni consorts, with Ardra(dog yoni) and Shatabhisha(Horse yoni) having Mula and Ashwini as yoni consorts, respectively. Swati can also easily get along with Ketu people, but Ashwini(enemy yoni) might be the exception. For Swati, the best match is its own yoni consort(buffalo yoni)_ Hasta, a very earthy nakshatra.

Besides Ketu, Rahu people can be very drawn to Sun people. Mythologically, Rahu always seeks to eclipse the Sun_ another discharging and active planet, the one that it wants to imitate. If, for example, a Rahu person also has a Ketu influence, due to already having that Rahu-Ketu balance, they might prefer Sun individuals who emanate that warm light from within themselves. In platonic relationships, Rahu people might find kinship with Jupiter individuals with whom they share an adaptible and "airy" nature, but can give their abundant energy to draining and discharing Rahu.

Ketu women

Ashwini, Magha, Mula

The other half of the dragon, the tail/body of the serpent, the absorbing shadow that rules over the past of the person. Also a shadow planet that drains and depletes, Ketu is the "conquerer" that establishes the very essence of a person or a thing. It is where an individual can find their true power, but also where there is a potential for great danger.

Ketu women are a very raw example of femininity. Their basic nature and behavior is the representation of femininity in possibly its simplest light. They absorb everything around them and instead of doing anything at all, they integrate it into their internal selves. Their power is their passivity. Their energy resembles a black hole_ a seemingly endless void that never seems to be satisfied.

They too have a numbness in them, but unlike Rahu, Ketu women might become overwhelmed with their own stagnant and heavy energy, struggling to properly express or define what they are, feel and know. Rahu can become confused from too much information, Ketu can become confused from a lack of it. In the end, they both might feel like they are missing whatever the other is/has. There is also a blindness to both of them, where each sees only their opposite side. But Ketu knows what it knows, and unlike Rahu, it does have stability. The danger with them is stubbornness, the inability to be moved by the outside.

Ultimately, Rahu people are the best match for them. Ketu women can be overly passive and unresponsive in most 1-1 relationships. They can "hide" and assimilate better in groups but with just one another person they can become extremely disinterested, if the other is not on par with them. Rahu can break its stagnancy and help Ketu women to push their energy outwards.

Besides Rahu individuals, Ketu women might be compatible with Jupiter people, since they have an abundance of excess energy that can give to Ketu's hungry and absorbing nature. Ketu also heals Jupiter. Another dynamic that is possibly compatible for them is with Mars-ruled individuals, due to Mars and Ketu being similar in nature, but this might work best in platonic relationships.

[eclipsen-smiles]

I doubt any of you want to know but I love talking about them so-

Eclipse’s version (I’ll do Chai’s on my art account.)

Any variation of “I’m fine” or “it’s fine”

Basically never. They’re/we’re SHIT at verbal affection.

Also practically never, unless around either their world’s family or the bloodpack.

Childcare.

Yes. They don’t think of anything. They just can. Their human form is small and pathetic looking, they use it for pity. (I do. I’m tiny. I look young. It’s so so so easy to get idiots in trouble.)

Favourite show: ever after high. They will never mention this. Ever.

Fuckshit. Probably. Or just “GET YO ASS OVER HERE.” With their gf…… the SpongeBob theme. Eclipse is still childish at heart.

There’s actually a list.

Nothing= anon

Friend= distant.

Name = talked once or twice.

Nickname= close

Hun/bud/pal/pet names= family or extremely close. Or if they’re concerned.

It depends on the situation. It’s a weird mix. They can be very rough, but they’re usually gentle at the same time.

Random facts about mental states. Usually things that make people feel better. (Ie; fun fact, you’re face is distorted through your eyes, so how you see yourself isn’t what other people see.)

Trust me. You’ll tell. (They’re already behind them.)

People being dumb. Or people trying to insult them. (Please. Try to. It’s hilarious.)

Always. I don’t think they know how to smile naturally at this point.

With their finger. Or hand.

Home: kinda dull, calm. Work: silent, disassociated. Friends: HYPER. ABABABA. MISCHIEF. PRANKS. alone: no facial expression.

Idiots.

Memories. Others, idk.

Luna. Believe it or not, but their version of lunar is almost MORE psychopathic than them…

Panic. Not because of the person, but because they’re trapped. (One, that shouldn’t be possible. two, agoraphobia.)

1:Unknown. 2: the astals. Specifically the higher ups.

Uhh.. eye contact, I guess. They’re fine with it, but they know others aren’t.

Hilariously, normal work hours. And taking breaks.

OHHH BOY LET ME TELL YOU- (reminder: luna is a ghost.)

Bold of you to assume they only took one.

Uhh.. random facts from plants and animals to history to cooking. They’re 600+, they’ve had a LOT OF FREETIME.

Laughter.

A “dont do drugs” pencil. Responded with heavy laughter.

A break. I pled the fifth (death.)

“Your funeral”

Heavily different because of the topic of their work. Personal= eh whatever. Work= oh fuck oh shit

.. seeing luna happy actually causes the most guilt.

MONEY PRINTING. WHO NEEDS A JOB WHEN YOURE GOD?

Silence and a glare

Family/not super close friends/people who look up to them: very calm but visibly happy. Close friends/people close to them/people who don’t necessarily hold them highly: ABBABABABABABAB

…so…many

Tartarus. “Can’t kill him yet. He still has use.” But DAMN DO THEY WANT TO. (Tar is a corrupt ass in their au btw.)

Actually nothing serious. Like… nothing. Besides secrets others have told them.

Hahehakfjkwnf. One that I have. Juggling.

Excluded. They hate having people include them just for pity. Though that’s if they know. (Same philosophy as me. Just being invited is enough. Even if I can’t come or I don’t have to actively participate.)

Depends. If the person looks annoyed it’s “what an ass.” If they look neutral or uncomfortable, it’s quickly “are they okay?” or “am I too imposing?”

Unknown at the moment.

Guilt and tragedy coping. Self explanatory

They’re quick to assume people being uncomfortable or afraid is because of them. They will not mention this.

Any. Since built in language processors, but probably Spanish since is such a direct translation language.

Shoes/socks in the house. What’s the fucking point. Take em off.

Listener. Make them talk? They’re autistic. You. Will. know.

EVERYONE FROM THIER ORIGINAL WORLD. EVERYONE. they either are still on the “glad they’re dead” bandwagon or the “holy shit he(moon) killed a mostly innocent dude.” Wagon.

Girlfriend. Friends. Family. Literally anyone they know. Hey, who coulda guessed, the person grappling with their past is a people pleaser!!

Nope. Politely decline

Hhhhhh….. past morals I guess? The old belief of corporeal punishment? (they don’t now.)

“Hun” when they’re concerned.

Self explanatory (mod is a lawyer…. Eclipse is at heart..)

The blood pack or their gf. (Too much shit has happened for them to NOT believe the pack. They’re safety is top priority)

Freeze to fight in normal situations. Straight to fight in dangerous situations. Freeze to “JEESUS” in safe situations.”

Destroying worlds. It’s their job, sure, but they’d much rather stop what’s CAUSING it.

Gf usually. But she’s back on the “hub world” so probably no one.

Eating. Sleeping. Drinking…. Self care.

ALL OF THEM.

WEIRDLY SPECIFIC BUT HELPFUL CHARACTER BUILDING QUESTIONS

What’s the lie your character says most often?

How loosely or strictly do they use the word ‘friend’?

How often do they show their genuine emotions to others versus just the audience knowing?

What’s a hobby they used to have that they miss?

Can they cry on command? If so, what do they think about to make it happen?

What’s their favorite [insert anything] that they’ve never recommended to anyone before?

What would you (mun) yell in the middle of a crowd to find them? What would their best friend and/or romantic partner yell?

How loose is their use of the phrase ‘I love you’?

Do they give tough love or gentle love most often? Which do they prefer to receive?

What fact do they excitedly tell everyone about at every opportunity?

If someone was impersonating them, what would friends / family ask or do to tell the difference?

What’s something that makes them laugh every single time? Be specific!

When do they fake a smile? How often?

How do they put out a candle?

What’s the most obvious difference between their behavior at home, at work, at school, with friends, and when they’re alone?

What kinds of people do they have arguments with in their head?

What do they notice first in the mirror versus what most people first notice looking at them?

Who do they love truly, 100% unconditionally (if anyone)?

What would they do if stuck in a room with the person they’ve been avoiding?

Who do they like as a person but hate their work? Vice versa, whose work do they like but don’t like the person?

What common etiquette do they disagree with? Do they still follow it?

What simple activity that most people do / can do scares your character?

What do they feel guilty for that the other person(s) doesn’t / don’t even remember?

Did they take a cookie from the cookie jar? What kind of cookie was it?

What subject / topic do they know a lot about that’s completely useless to the direct plot?

How would they respond to being fired by a good boss?

What’s the worst gift they ever received? How did they respond?

What do they tell people they want? What do they actually want?

How do they respond when someone doesn’t believe them?

When they make a mistake and feel bad, does the guilt differ when it’s personal versus when it’s professional?

When do they feel the most guilt? How do they respond to it?

If they committed one petty crime / misdemeanor, what would it be? Why?

How do they greet someone they dislike / hate?

How do they greet someone they like / love?

What is the smallest, morally questionable choice they’ve made?

Who do they keep in their life for professional gain? Is it for malicious intent?

What’s a secret they haven’t told serious romantic partners and don’t plan to tell?

What hobby are they good at in private, but bad at in front of others? Why?

Would they rather be invited to an event to feel included or be excluded from an event if they were not genuinely wanted there?

How do they respond to a loose handshake? What goes through their head?

What phrases, pronunciations, or mannerisms did they pick up from someone / somewhere else?

If invited to a TED Talk, what topic would they present on? What would the title of their presentation be?

What do they commonly misinterpret because of their own upbringing / environment / biases? How do they respond when realizing the misunderstanding?

What language would be easiest for them to learn? Why?

What’s something unimportant / frivolous that they hate passionately?

Are they a listener or a talker? If they’re a listener, what makes them talk? If they’re a talker, what makes them listen?

Who have they forgotten about that remembers them very well?

Who would they say ‘yes’ to if invited to do something they abhorred / strongly didn’t want to do?

Would they eat something they find gross to be polite?

What belief / moral / personality trait do they stand by that you (mun) personally don’t agree with?

What’s a phrase they say a lot?

Do they act on their immediate emotions, or do they wait for the facts before acting?

Who would / do they believe without question?

What’s their instinct in a fight / flight / freeze / fawn situation?

What’s something they’re expected to enjoy based on their hobbies / profession that they actually dislike / hate?

If they’re scared, who do they want comfort from? Does this answer change depending on the type of fear?

What’s a simple daily activity / motion that they mess up often?

How many hobbies have they attempted to have over their lifetime? Is there a common theme?

[baphometsss]

I don't wanna sit here and act like I'm a professional or anything, because I'm not, but as someone who has had to do a lot of work to overcome trauma and reconfigure my brain more or less from the ground up, there's a lot I have to say about Solas's mental state

We know that Solas was essentially used and abused by Mythal for millennia. Even if he wasn't under a geas, he was twisted from his purpose by being made to fight, and then created the Wolf's Fang which was used to make the Titans tranquil and started the Blights. He made those choices himself, but it's important to understand that no choice is ever made in a vacuum. She took advantage of his vulnerability when he was given a body after however long as a spirit semi-existing peacefully in the Fade, and moulded him into a weapon.

He is broken, because Mythal broke him. I'm not incapable of seeing why she did what she did because like I said, no one makes choices in a vacuum and I could write about her for a long time too (in a similar way to how I have had to do myself in my own life in understanding why others abused me). He was so traumatised by everything that happened and he was trauma bonded to Mythal pretty much from the minute he gained a body. Trauma bonds are not about love. He definitely interpreted it that way, as most people do, but that's the weapon abusers use to keep the victim under their control. Abuse abuse abuse show a scrap of love and then abuse some more. If I just take it, I'll get the love/attention I need. I will earn it, because love is suffering, and I have to suffer to earn getting my basic needs met from my family/friends. Mythal, as his creator, was the one who he would've attached to in a similar way to spirit Cole/human Cole.

Trauma bonds are pathological. Mythal made him believe that if he did as she asked, and kept supporting her, then eventually he would gain her favour and they would be able to free all the elves, and he'd be able to live according to his true nature, which is one where he doesn't have to fight. (Remember his personal quest in DAI? He actually kills the rebel mages for corrupting his friend--another Wisdom spirit--into Pride.) In reality, she was just using him. She always kept the bone just out of reach for her lapdog. The line from Rook where they say (paraphrasing here) 'you know, I was actually excited about getting your approval... That's how you do it, isn't it? Keeping giving little scraps of approval to keep someone loyal, and then you turn around and betray them' is so telling too.

Where--or from whom--do you think he learned to do this?

It literally reeks of a pathological trauma bond and honestly, with how isolated, 'grim and fatalistic' Solas is, it is not a surprise that he's so broken.

Solas, essentially, is little more than a lap-dog to Mythal. He followed her like a lost puppy, because especially in his early days, that's kind of what he was. You have to remember that most of the insight we get about Mythal is from Solas's perspective, and he is not a reliable person when it comes to her after so long being repeatedly terrorised and twisted and manipulated. There are several instances where he describes being betrayed by her, and mentions some of the things she did, but he never quite holds her fully accountable and ends up directing his rage elsewhere. (The parallel between Mythal/Solas and the rebel mages/Wisdom is important here.)

This awesome post by @mythalism only reinforces this. He is so messed up in that scene, he is broken, he is holding the Wolf's Fang up, trying to give it to her because it symbolises the burden he has carried for thousands of years trying to avenge her death. He never wanted the Fang, like he never wanted a body. Mythal just stands over him, fully aware of what she did to him, and only getting him to stop because Rook petitioned her successfully, and the reunion with the more benevolent Mythal within Morrigan tempered her anger. She was a goddess, with the unequal power dynamic, right to the end.

As a side note, on the potential romance element between Mythal and Solas, I read an excellent breakdown of it on Reddit a while ago about how out of character it would've been for Solas to keep something like that from a romanced Lavellan, especially in Trespasser when he comes clean about his plan/past. I can't find it now because it was pre-Veilguard release, but it made a lot of sense to me. Solas and Lavellan never have a love scene in DAI because Solas didn't want to 'lay with them under false pretences'. Lying about who you are when sleeping with someone is nonconsensual. You can't consent to sleeping with someone if you don't know their true identity, and someone who knowingly lies about who they are to get into your pants is a sexual predator. For someone who led a slave rebellion (no doubt many of them being sex slaves), and a former spirit of Wisdom, Solas would've been well aware of this. In the unsent letter from Solas to Lavellan he says he came so close to breaking and desperately wanted to stay with them as Solas, with the implication being that that is where he planned to sleep with them once he'd come clean. But because he stops, because he's still unable to forgive himself or release himself from his trauma bond with Mythal, he breaks away, and they never have sex.

Bottom line: Solas would've been honest about it. Especially that. As the Inquisitor says, he can't lie about his heart.

And it's why the Solas/Lavellan romance is so powerful because quote, 'you change everything'. Solas thought he knew what love was, that love was loyalty, devotion, worship, etc. It's not just his plans or worldview that Lavellan changes. Lavellan sees him for who he is, without the mantle of Dread Wolf, and because of that he's able to express his true nature to her, even if he's not being totally honest in Inquisition. Lavellan got much closer to the real him than most, as he says, and changed his understanding of love completely. Unfortunately, he has unfinished business, an unresolved trauma bond, and his crushing sense of duty to the past is what keeps him from taking that final step towards letting go of it entirely. Trick also says Solas doesn't think he deserves love, which tbh is kind of a hallmark trait of people who have survived abuse.

And honestly? Call me a simp but I think he really was trying to get the Inquisitor to stop him. He saw himself being unable to let go because he was so broken and burdened by his guilt, and knew he couldn't save himself--was too proud to admit that he couldn't, because how pathetic does it make him look? And how could he stop now without rendering all the damage he'd wrought pointless? Yet here was someone who had changed him right down to his core, who understood him in a way few people ever had, whom he trusted, whom he loved in a way he hadn't loved anyone else before. It took him 'centuries' to build up rapport with the members of his rebellion. The man doesn't not know how to form attachments without trauma, and suddenly he forms a strong one with someone who loves him completely and without condition. It's a jarring change.

Lavellan says that maybe they're being prideful themselves, refusing to see their own folly. But I think in admitting that they might be wrong, that it might be wishful thinking borne from misguided love to a truly terrible person, they've rendered the point moot. It shows self-awareness, which isn't folly.

If anyone can make Solas understand true love, it's Lavellan. Lavellan loved him when he was being his true self. Lavellan loved him after his betrayal was revealed. Lavellan loved him when his guilty conscience and terrible actions almost destroyed the world. Lavellan loved him because they knew the real him, and knew that his heart and spirit were broken, and knew that their love would endure, that their love would heal him.

And that's exactly where they end up. Healing the past, soothing the Blight, and loving one another completely.

[michaela-o]

Random things i think Cybertronians would find adorable about humans~♡ Pt. 2

1. Us getting scared by small things

Humans jumping or screaming at a bug, sudden noise, or a scare prank would probably seem hilarious to the bots, who would be 100% amused by how easily humans can be startled. I bet MANY bots would take advantage of this when there would be a lil human on the lost light. Bots like Whirl, Trailbreaker sometimes Swerve that would like to scare the human despite them telling him not to.

Ya all know the vine video? With guy that goes: "Aaah stoop im gonna drop my criossant."

Yes that XDD

2. Us getting lost even with maps or GPS

I personally have terrible sense of direction and orientation (*p_q*) And some bots catching humans struggle with directions, even with GPS, would be both puzzling and funny to them. They always wonder how humans get lost so easily. But come on give the lialison a break the lost light is fucken HUGE.

3. Getting “hangry”

I mostly get tired when i'm hungry but when im also irritated i become hangry. I think bots would find humans getting irritable when they’re hungry both funny and perplexing to them who might see it as an amusing “malfunction” due to our a basic need.

4. Human body “glitches”

Hiccups, sneezes or random muscle twitches and similar reflexes would be entertaining to the bots, who’d find these involuntary responses both weird and amusingly unpredictable especially when we tell them that we can't control them. Get ready to be friendly bullied for this by some of the bots.

Human sitting over on Swerve's bar counter: *sneezes*

Whirl: What the frag was that sound? A sparkling's war cry?

Human: ( ｡ớ︿ờ)

5. Collecting random souvenirs

Humans collecting small souvenirs, like seashells, keychains, or mugs from places they visit, would be amusing to Cybertronians, who might see it as an odd way of marking memories. Since from what i was reading in comics i didn't see any bots do this and i think they would find this pretty adorable. Almost like we materialize memories.

We are all like crows :3

6. Huddling for warmth

When humans instinctively huddle together or bundle up in thick layers when we're cold. Bots would simply find it cute amd definitively have to fight the yrge to just- squish-

Our need to find warmth and the cozy solutions we come up with would seem quaint and endearing (*´˘`*)

7. Gathering in groups for safety

The way we instinctively form groups, especially in unfamiliar or intimidating amd scary situations would be both cute and a bit amusing to bots who might see it as humans’ way of finding strength in numbers despite their physical smallness. But we find great comfort in it ( *^艸^*)

8. Soothing or hugging each other in stress

When we instinctively comfort each other with hugs or reassuring words would be adorably puzzling to the bots, who’d find it endearing that humans can find peace in such small, gentle gestures. I bet a bot that is visibly sad would be pretty surprised when the human lialison comes up to them and just hug their servo and ask if they want to talk about it. It personally makes me happy when i can comfort and help someone in need ( ｡ớ ᴗờ)

9. Making eye contact to connect

Humans instinctively make eye contact to establish trust or share feelings, which many bots would find very intimate, sincere and honest because it shows how deep the personal nature of human connection can go ( ⁎ᵕᴗᵕ⁎ )

(bots getting lost in human's eyes is one of my guilty pleasures)

10. Fighting for what’s important

We humans naturally stand up for our values, friends, and families, often driven by an instinct to protect or defend what we love. I think bots would find this fierce loyalty and bravery adorably noble for such a small species such as us. I even think that many would take us for an example in this (｡>ㅅ<｡)

11. Helping others instinctively

Cybertronians would likely find this endearing that humans instinctively help each other out—whether holding open a door, picking up dropped items, or offering support without being asked. This is the very nature that makes us human (*´▽`*)

12. Blushing when embarrassed or flustered

The way our cheeks turn pink or red when we're shy, embarrassed, or flustered would be extremely cute to the bots, who’d see it as a “giveaway” that adds to our vulnerability and the fact that we just can't hide our emotions makes us very emotionaly transparent is just straight up adorable.

13. The way the human brain is so simple

I personaly am very simple human being and i find many stupid and simple things funny and laugh at them. I think because of this many bots would find us very innocent and adorable

(｡>▽<｡)

AAAAARRRGH there's so many other things i wanna write but i decided to make part two of this bc i enjoy writing this stuff. Dis a good soup :33

(i might add a small masterlist to my pinned post :3)

[nab1wuzhere]

Magnetic

“You wouldn’t look at me.”

“I saw plenty.”

“In my eyes.”

“…Does it matter?”

~

summary:

Bakugo Katsuki, No. 3 Hero in the charts, massive amounts of fan girls, always invited to galas, events, and even award shows along side his peers, but he has never once gotten a dating scandal in his whole career. Has never even looked in a woman’s direction. So you can be certain he won’t change his actions when artist Y/N is invited to sing at a private Christmas Gala hosted for hero’s to celebrate the season and a year well done of duties…right?

Singer, artist, model Y/N, has it all. Looks, wealth, awards, friends, family, and boyfriends.. her music revolves around her relationships and past relationships along with her mental health that she speaks about through her music. She gets asked to gigs almost every day but few are lucky to book her, when her team gets a request for the Christmas Hero Gala which is highly exclusive, she immediately agrees to entertaining the hero’s, excited for the night she doesn’t realize she caught a certain man’s attention in the back of the crowd..

• slow burn - secret pining - romance - bold Y/N, shy Katsuki - vice versa - celebrity!y/n x aged up!katsuki

• following contains, eventual smut, mentions of suicide, alcohol, mental illness, heavy party scenes and probably more !

• 18+ only!! this is your warning

• the rest of the celebrities mentioned in this series i do not take credit for, and the songs mentioned all writing ownership belongs to them! i do not take credit except for this fan fiction!

!! just a friendly reminder this is all fake, simply my imagination placed into writing !!

intro chapter one

furious knocking is heard on bakugo katsuki’s hotel door, with shouts of “katsuki!! katsuki!!” being heard on the other side of the door.

katsuki groaned furiously as he got up and headed for the door, opening it loudly

“what the hell?!”

katsuki opened it to see his best friend, eijiro kirishima standing before him with a star eyed look on him. katsuki sighed and opened the door wider for his red headed friend to walk in.

“this better be good shitty hair, i was about to eat my fuckin’ breakfast.” katsuki spoke with a grumble

“katsuki! you’ll never believe it, guess who’s the performer for the gala?!” eijiro said practically shouting the walls away, his hands in tight fists, barely holding himself together.

a massive sigh was heard from katsuki, “will you PLEASE, for the love of god stop the fuckin’ shoutin’?!” he practically raised his hands in the air with annoyance

eijiro nodded happily, no sign of embarrassment or fear covered his body, his hands just moved in a “guess” motion

katsuki gave him a blank stare before running a hand through his spiky blonde hair. “who is preform—” before he could finish his sentence eijiro already announced the performer,

“Y/N! THE Y/N! like global sensation Y/N?! SHE of all people will be preforming FOR US katsuki!!! can you believe it?! oh my god!!”

katsuki gave him a look of “who the fuck are you talking about” before realization dawned on him, on his face, “oh, the chick who sings ‘NDA’?”

eijiro nodded excitedly, “and therefore i am, your power, when the party’s over-”

“oh yeah, i like when the party’s over”

“male fantasy, i love you- OH my gosh what if she sings i love you? oh ill sob. oh not to mention, illicit affairs, my tears ricochet—”

“eijiro.” katsuki spoke in a harsh tone “we get it, she sings a lot of songs you know.”

eijiro walked towards him and sat down, “see that’s just the thing katsuki, she doesn’t just sing. she’s- hah! she’s an idol, she- she literally defines music, she’s a poet and composer and creates masterpieces using something that comes naturally to her- she- she creates art out of instruments and makes millions out of it-” eijiro reaches for the tv remote. “i mean look she even-”

“oh i’d rather you not go down this rabbit hole of obsession”

“yeah well i’m going to so shut up and eat your pancakes”

katsuki stared down at his plate of buttermilk pancakes and looked offended as eijiro flipped to ‘youtube’ on the hotels tv, seconds later there’s a video playing of Y/N preforming at coachella a year ago, singing her song, ‘idontwannabeyouanymore’ her voice soft and smooth as she sang the words with ease.

“i mean you see how natural it is for her? there are so and i mean so so many singers out there but jesus.. there’s only one of her.” he pointed to the screen and katsuki’s eyes followed to it, the camera panning on her face, her eyes shut, lashes brushing her under eye, her lips close to the microphone, there had to be a fan right above her, her hair flowing around, but yet somehow it didn’t look messy.. like it did but it was a good messy, her eyes opened and a glint of happiness shined in them, her lips curved up into a smile as she harmonized the end, and the whole crowd screamed and emerged into clapping, she looked down at her feet, the air blowing her hair, she looked up and her eyes shined from the blue spotlight creating a glow over her. she mouthed “thank you” before shouting, “THANK YOU COACHELLA!!! I LOVE YOU ALL SO SO MUCH” and the video ended.

“i mean come on!! she’s a fucking legend and in her fucking prime right now, and to even think she’s gonna perform for US?! oh god man i could pass away” ejiro says as he fake swoons and falls onto the hotel couch, his hand on his forehead.

katsuki scoffs as he takes a bite of his pancakes, “yeah, i mean she is good, she’s got a voice that’s for sure-”

ejiro interrupts katsuki immediately, “it’s not just the voice man!! it’s her, she’s from a whole other world! and she’s like the nicest person you’ll ever meet-”

“and have you? have you met her?” katsuki gives him a sarcastic look, ejiro presses his lips met with silence, katsuki sighs as sets his fork down and crosses his arms, “don’t believe everything you see on the internet ejiro.” he said with a serious tone, “not everyone is who they seem to be, i can sniff out who’s a fucking fake from a mile away, i would know” he gives an annoyed look.

ejiro sighs as he gets up and pops a blueberry in his mouth that had been sitting on katsuki’s breakfast plate, “yeah well we will have to wait to meet her so you can “sniff her out” yourself..” ejiro scoffs, “trust me katsuki, she’s the real deal.” he ended with pointing at the tv who had Y/N smiling out into the crowd at coachella, her eyes like glitter.

ejiro said his goodbyes and walked out leaving katsuki by himself and just him staring at the tv screen, his arms still crossed, he mentally slapped himself before pressing the video that would come up next, another performance at coachella from the same year, her hit song, “when the party’s over”. now this one katsuki was familiar with, it was one he found himself listening to a lot in his car, the lyrics were raw he would give her that, and her voice- god if katsuki knew it was something sent out of a dream to become katsuki’s worst nightmare he would have never clicked play.

[inkedinshadows]

A Place Called Home

Pairing: Azriel x f!reader

Summary: Follow Azriel as he recalls all the places where he's lived but never belonged, until he finds the one where he finally does.

Warnings: a bit of Inner Circle slander, I guess? But not really tbh. Mentions of wing clipping

Word count: 2.1k

A/N: I don't know what I think of this one tbh. It's not exactly what I had in mind, but I've made my peace with it. @azrielappreciationweek

Azriel had never belonged in his father's mansion. He never once believed he did. But he didn't belong in Illyria, either.

Though he was Illyrian, he always disapproved of their backward traditions, especially regarding females.

He had seen how his mother was treated; he knew what had happened to Cassian’s, and too many times during his training in Windhaven, he had to witness brutal clippings without being able to stop them.

How could he belong in such a place? A place where females were treated as little more than objects and breeding mares, where children were taught to fight as soon as they could walk and left to care for themselves in the mud and cold?

He had done horrible things—most of which to protect his family and court—and they still haunted him in his sleep at times. But he liked to think that he was at least better than the Illyrian brutes he had grown up among. That there were certain lines even he wouldn't cross.

Illyria was a beautiful land, with its snow-capped mountains and frozen lakes. It could be merciless and harsh, but that was nature. Its inhabitants, however, chose to be that way, and Azriel had long since lost faith in any change.

~~~~~~

He didn't belong in Rosehall, either.

He was always welcome there and visited as often as he could, but that was his mother’s house. He had bought it for her as soon as he had enough money.

It was her safe place, her haven, where she didn't have to worry about anything and where she wasn't anyone's servant. Azriel remembered the tears shining in her eyes the first time he brought her there, when the house was still empty and cold.

It had taken him a long time to convince her that she didn't need to worry about money. He worked directly for the High Lord now, and he was paid well enough for her to furnish the house however she liked.

She had still tried not to spend too much, but she had chosen each piece of furniture and decoration with attentive care. It was the first time she had a place she could call her own after centuries of living, and Azriel liked what she had done with it. The place was simple yet elegant, with cream-colored walls and wooden furniture. Colorful flowers bloomed on the windowsills, and paintings hung in the hallway and the living room. She had even made sure to have a bedroom for him, so he could stay as long as he wished.

But Azriel's favorite part of Rosehall was probably the delicious smell of food wafting through the rooms. Now that she no longer had to cook for domineering males, she had rediscovered her passion for cooking. Whether it was spices, freshly baked bread, or roasted meat, the smell never failed to make his mouth water.

Yes, Azriel enjoyed his time in Rosehall and tried to visit as often as he could, but it was still his mother’s house—not his.

~~~~~~

He belonged in the Inner Circle, he guessed. Though sometimes he felt like he didn't.

Azriel cared about Amren; after all, he had known her for centuries. But it was still Amren. How many times had it been just the two of them, spending time like normal friends? Once, maybe twice, and even then, their conversations had mostly revolved around Court matters. Sometimes he wondered if they would have ever approached each other at all if it hadn't been for Rhys bringing them together.

And then there was Mor. He had spent centuries quietly loving her, longing for something he could never have. He had long since stopped believing that her concerned glances and gentle touches meant anything beyond deep affection—sisterly affection. Yet he'd held on to those feelings even when they started to fade, because he had never known anything different. It was a twisted form of both protection and punishment: if he still loved her, then he wouldn't risk his heart being broken by another rejection. Yet knowing Mor would never feel the same, that she had her own lovers and relationships, was like being stabbed in the chest. He wasn't sure when it started to hurt a little less each time he thought about it.

With that pain easing, the resentment he'd carried buried deep down for most of his life began to fade as well. He never once held it against Cassian. He knew it wasn't his fault Mor had chosen him. Who would have chosen Azriel anyway? He wished things were different, but he didn't blame either of them. It still chafed, though. It was something he couldn't shake, like a shadow lingered on the edges of his heart, and it resurfaced whenever he saw Mor and Cassian together.

And his brother… Azriel loved him deeply, and he was grateful to have him in his life. But there was no denying how different they were, and sometimes it felt as if Cassian didn't really understand him. There was a rage inside Azriel, rarely rising to the surface but it was there, born the moment he'd seen his mother's fear in the presence of his father. That rage never left. It grew until Azriel had to learn how to contain it, to live with it, for the sake of the people around him and his own.

Cassian never really understood it. Rhys did, though. Azriel knew that if he pushed, Rhysand would match him. Yet his brother still tried to thaw and tame that icy rage he had grown so accustomed to, which was probably an honorable aim—if Azriel hadn't lived with it so long that he wasn't sure who he would be without it.

He loved his family deeply, and he knew they loved him back. But they didn't always understand him, and he often felt out of place among them.

~~~~~~

Velaris was his home, and he'd do anything to protect it. He tortured and killed for that very reason many times. But at the end of the day, the City of Starlight was just that—a city. No matter how beautiful or welcoming, it was too vast a place to call home.

He had never bothered buying an apartment or a town house for himself. Maybe he should have. But the House of Wind had always been enough, with its views and endless rooms. It was practical living there—there was the training ring, the hall where Rhys held court, and the library for when he wanted some quiet.

But the House of Wind belonged to Rhys. Now that he had given it as a mating present to Nesta and Cassian, it was theirs. They assured him he could still live there, that his room would always be his, but Azriel had preferred to move out. He had no interest in living there during their mating frenzy.

The townhouse and the river house belonged, once again, to Rhys and Feyre. They never made him feel like he owed them anything for staying there—Elain lived there too, after all—but Azriel longed for a place he could call his own. Yet the idea of buying an apartment had still felt too definitive. He had tried, but none of the places he'd seen made him want to own them.

He had almost given up hope of finding a place he could call home, but then he met you. And he realized, after five hundred years, that maybe home wasn't a place at all.

“Az?”

Your voice cut through his thoughts, bringing him back to the present, to the feel of you in his arms and your big eyes staring up at him.

“Baby, are you listening to me?”

Azriel blinked, slightly shaking his head to chase away the remnants of his past. He looked down at you, and his heart fluttered at the love shining in your eyes.

“Hi,” you said with a soft smile. Your hand came up to cup his face, the touch warm and familiar. “I lost you. Where did you go?”

“Sorry,” he breathed. “I was just thinking.”

You waited patiently, giving him the freedom to continue or return to your conversion. Embarrassment flooded Azriel as he realized he couldn't remember what you were talking about.

He held you imperceptibly tighter, trying to find the right words to convey what he felt.

“I never felt like I fit in anywhere,” he said eventually. His voice was quiet even in the silence of the room, and he struggled to keep his eyes open when all he wanted to do was lean into your touch. “I've been looking for where I belong for centuries.”

It came easy to voice those thoughts to you. You never judged. You listened, and then you gave your opinion or simply shared your own thoughts. You saw all of him, and you didn't run from it. You accepted him. You loved him.

Sometimes, Azriel still wondered if it was all a dream or if you were really a part of his life.

“And have you found it?” you murmured, your thumb brushing his cheek just below his eye.

Azriel nodded. “I found it.” He took your hand, gently removing it from his face to bring it closer to his mouth. He pressed a tender kiss to your palm, his lips lingering on your skin before he repeated the gesture with your fingertips. Your smile was soft as he murmured, “I found you.”

Your eyes, which had been following the movements of his lips, shot up to meet his. Even after a year together, he was still mesmerized by how you always wore your heart on your sleeve. It was so easy to read you, and right now, blended with your unconditional love, he could see curiosity and amusement playing on your features.

“Me?” you repeated, your voice a murmur.

Azriel nodded once more, letting go of your hand only to bring his own up to your cheek. “Yes, you, my love.” He rested his forehead against yours, closing his eyes as he breathed in your scent. “It doesn’t matter where we are. You’re where I belong. You’re my home.”

Wherever you went, he would follow. If you woke up one day and told him you wanted to move to the Spring Court, or even to Vallahan far east on the continent, he would go with you. He would go with you to the end of the world if you asked.

He could feel your heart beating faster in your chest, and a playful smile appeared on your lips as you pulled back to look into his eyes. “So… is this the right moment to tell you that I wanted to ask you to move in?”

Azriel stared at you, eyes wide, a huge grin slowly spreading across his face. His arms tightened around you, and then you squealed in surprise as his hands found your backside and he picked you up. The sound was quickly swallowed by his lips crashing against yours, and you could do nothing but kiss him back and wrap your legs around his waist, careful not to brush against his wings.

You were both breathing slightly faster when Azriel pulled back, but he didn’t let you go. If anything, he held you tighter, as if worried you might disappear.

“I’ll take it that’s a yes?” you chuckled. Your fingers brushed the hair on the back of his neck, his wings rustling quietly at the sensation.

“Yes,” he breathed. “Of course it’s a yes, love.”

He didn’t care if your apartment wasn’t suited for an Illyrian, if he had to carefully maneuver his wings to avoid knocking things over. He had already spent so much time at your place that he was used to it by now. The thought of staying there permanently—of waking up with you in his arms every morning, of coming back after a long day knowing you’d be there too—filled him with so much joy that his heart could burst.

You beamed, and all Azriel wanted to do was to spin you around and never let you go. And so, he did, because nothing was stopping him. He was going to share a home with his love, and nothing had ever made him this happy before.

As he spun you around, you threw your head back and laughed joyfully, the sound echoing off the walls. Azriel’s laughter joined yours when he stilled, and then you were kissing him again.

After more than five hundred years, he finally knew where he belonged. And it wasn’t a place.

It was with you.

General taglist: @mrsjna @navyblue-eternity @paintedbyshadows @highladyandromeda @starswholistenanddreamsanswered @azrielsmate3 @mollygetssherlockcoffee @mirandasidefics @tinystarfishgalaxy @cynthiesjmxazrielslover @anarchiii @readinggeeklmao @anneas11 @azrielslittleslut @lilah-asteria @aaahhh0127 @lorosette @azrielsrealmate @pey2618 @mellowmusings @k8r123-blog @daughterofthemoons-stuff @minnieoo @saltedcoffeescotch

Azriel Week: @fourthwing4ever

[babygirlwritessmut]

♡︎ part8. a complete silence rule

MINORS DNI!

・❥・pairing: vi (arcane) x fem!reader

・❥・ summary: you and Vi came to library for studying, but she can`t resist touching you

・❥・ genre: smut + kinda friends to lovers

・❥・ word count: 1.9k

✎ warnings: 18+, smut, dom!vi, oral sex, fingering, sex in public place

WHEN I NEEDED YOU masterlist

a week after Vi was discharged from the hospital, she returned to college. she wasn’t allowed to play yet, but she didn’t miss a single practice, even if it just meant warming up with the others and then sitting on the bench to watch. she recovered quickly, but if you hadn’t insisted, she would’ve tried to play on the first day back. the doctor had strictly forbidden it, and you made sure to keep an eye on her. though Vi was eager to return to her normal pace, full recovery required time, as the risks were still too high.

another bit of good news - Troy was no longer on the team or even at college. you saw him clearing out his locker as his parents and security escorted him away. when you asked your dad if he knew anything about it, he simply kissed your forehead and told you not to worry. either way, you didn’t mind; whatever your father had done, it had worked. truth be told, it even scared you a little, but Troy got what he deserved. naturally, all accusations were dropped, and your mom mentioned in confidence that your father had threatened Troy’s family, saying you’d press charges for assault and all the vile things their son had done. it was a relief to finally exhale; for a moment, it even felt like the air without your ex was lighter.

without Troy’s bullying, Josh finally left the team, free from the person who’d tormented him for years. he seemed to have started playing guitar in his garage. but the biggest surprise was that he’d found a partner. according to Trish, they met at the last match and hit it off, though homophobic Troy had always intimidated Josh, and for good reason. long story short, many people in his social circle felt better without him, and you were glad it was over.

after classes, you met Vi in the parking lot. she kissed you on the lips and wrapped her arms around your waist, letting her hands slide lower. smiling mid-kiss, she murmured, “maybe I should transfer to another school”

“and why’s that?” you teased, slipping your hands under her shirt, pushing her jacket aside, and pulling her closer, which made Vi bite your lip.

“I can’t focus on school or anything serious when you walk around looking so gorgeous and tempting,” she said, squeezing your hips and leaning you against the hood of her car.

“I can’t stand my loneliness, especially when you two are kissing so sweetly out here for all to see,” interrupted a voice. it was Trish, standing behind you with her arms crossed. “just a reminder, Vi, that I was the one who first told your new girlfriend how beautiful you are, so both of you owe me”

finally, you and Vi let go of each other and laughed. Vi took your hand and said, “and I’ll be forever grateful to you for it”

“ready to go?” you asked Trish, who was still grinning as she watched the two of you.

“I came to say I won’t be able to make it today. mom’s not feeling well, and I want to stay with her. do you mind if we reschedule for tomorrow?” Trish said, looking a little apologetic.

“of course, no problem at all. send her my best and wish her a speedy recovery. if she’d like, I can bring over some of my mom’s special soup; it’s really delicious,” you replied understandingly.

“that would be wonderful. thank you, I’ll text you about tomorrow” Trish gave you a quick hug goodbye before hurrying home.

“where were you two going, and what’s been rescheduled for tomorrow?” Vi asked, curious.

“the library. we have a history test coming up, and Trish and I often go there to focus. there’s a total silence rule, so we can’t gossip or listen to music. it sounds odd, but we get distracted so easily that the library’s our only hope,” you explained.

“want me to go with you?” she looked into your eyes. “unless this is some kind of special friend ritual?”

“no, no, nothing like that, but are you sure you want to sit quietly for an hour with a history book?” you raised an eyebrow at her.

“yes, especially since I have the test too. I’m not playing right now, so the coach won’t be able to get me extra credit for athletic involvement,” Vi said a little sadly, clearly missing her usual active lifestyle. but you weren’t giving in - the doctor’s orders were law, especially for Vi, and she deserved the best care.

“alright, then, let’s go,” you decided to steer the topic away from sports to take her mind off it.

“why an hour, though?” Vi asked, referring to what you had mentioned earlier.

“well, it’s not strict or anything, just a rule Trish and I came up with: an hour of uninterrupted studying, then any break or distraction we want. it’s like a little motivation,” you shrugged with a smile.

“if it’s the rule, then let’s follow it,” Vi said as she opened the passenger door for you and got behind the wheel.

ten minutes later, you arrived. there weren’t many people there, so you took your and Trish’s usual seats near the bookshelves. as you’d told Vi, there was complete silence, only occasionally broken by the sound of turning pages. Vi sat next to you, taking off her jacket and hanging it on the back of the chair. when she turned back, she caught you staring at her hands, biting your lip, which made her smile and raise an eyebrow. you felt a bit embarrassed, but it wasn’t surprising - you never focused on Trish this way, yet with Vi nearby, you realized it might be a little harder to concentrate.

you quickly looked away, pulling out a sheet with the test questions. each question had a list of recommended books to review. pointing out a few titles to Vi, you both set off to find them. the history section had plenty of books, so it took a little time to gather what you needed.

Vi leaned over to you and very quietly asked where she should find a particular book, you pointed to the bottom shelf, and she nodded. running your eyes over the stand with books, you saw that a little higher is hidden a book, the author of which is your teacher, usually it is occupied by someone, but today was a good day. when you reached for her, Vi looked up and was very pleased with what she saw. the length of your skirt gave a good view of your underwear, which made Vi feel incredible desire and attraction. she carefully stood up and slowly ran her hand down your leg from your ankle to your thigh until her fingers were under your skirt. you almost didn't let go of the book from your surprise, your eyes became round and goosebumps ran through your body, you wanted to say something, but Vi only put her index finger to her lips. she took the book and placed it on the shelf, leaving her other hand on your butt, glancing over at you, she smiled at you, desire burning in her eyes, you felt incredibly attracted to her, so you moved a little closer. her lips covered yours, you tasted her as her warm tongue slipped between yours, Vi pulled you closer to you, squeezing your butt tighter, her other hand ending up under your shirt, her thumb gently caressing your skin as her lips kissed you.

she pulled away from you and leaned into your ear, saying “the rule of complete silence, remember?”. her fingers ran up the fabric of your panties under your skirt and she ran her hand down touching you. she smirked when she felt how wet you were, running a finger over your clit you rested your head on her shoulder holding back a moan. every movement seems very slow and you wanted more, you could feel the vibrations going through your body when her finger started stimulating your clit more actively, you held on to her with your hands so you wouldn't fall. she covered you with her lips again and you felt her finger enter you, a wave of pleasure covered your body, you immediately started to move on it, kissing her more passionately, your hips moving and your body getting heavier. she wasn't about to stop, her finger digging into you harder and harder as you struggled to hold back a scream. only the rustle of the books reminded you where you were now, you almost didn't care, you could feel your wetness running on her finger, you were so wet and excited that you didn't care if they could hear you now, you wanted her touch, you wanted to cum from her fingers, you wanted to show her what pleasure she brings you. when her second finger was inside you tightened your grip on her, and Vi sped up as much as possible, your legs were just shaking at this point. Vi's other hand pulled your bra down and squeezed your breasts, you threw your head back and surrendered to the feeling, you came so hard it made your head spin. holding you, she pulled her hand out of your panties and pressed you against the bookshelf, kissing you again. her lips moved to your neck and trailed down.

“what are you doing?” you said almost inaudibly in surprise.

Vi just looked up at you and answered “you said we had an hour”

goosebumps ran down your spine and she returned to your neck again, kneeling, Vi placed your leg over her shoulder and lifted your skirt, putting her index finger to her lips again to keep you quiet.

her fingers gently pulled your panties to the side, and she ran her tongue over your pussy, collecting a mess you had done earlier. your body was so heavy that you grabbed the shelf with one hand to keep from falling. her lips pressed against your wetness, she didn't tease like before, her tongue was immediately inside you, you opened your mouth again in a silent moan and ran a hand into her hair. Vi's hands wrapped around your ass, and she ate you out greedily as you held back a moan. she was sucking your clit and running her tongue which was giving you incredible pleasure, you were moving your hips to ride her face as she explored your most intimate place. the second orgasm didn't take long, you came from her tongue even faster than from her fingers. you didn't have any strength left, but how nice it was. she put your panties back in place and climbed on top of you.

“I see you liked it,” she said teasingly. you just bit your lip and nodded, straightening your skirt.

“maybe next time I can sit on your face properly” you winked at Vi and ran your finger over her lips which were still wet from you.

“no reason to wait, you can still stand so…” Vi smiled and took your things and led you by the hand out of the library to the questioning looks of the others.

[libraford]

Tw: miscarriage, medical misinformation, abortion, diet culture

"I just feel that, as a woman who wants to have children, my voice here is unwelcome."

You told another woman whose family is prone to miscarriages 'not to worry' about the possibility of having the laws affect her because 'it's being left to the states' and 'hospitals are horrible even if you don't have a miscarriage because they pump the mother full of poisons and rip the baby out of the mother's hands and torture them. You should call a midwife instead.'

After being instructed to seek a doctor's perspective on natural abortificants, you posted a list of books on herbs that do not have any kind of vetting for their information.

On a different post, you suggested that toxic masculinity was caused by too much phytoestrogens in men's diets from too many soy products, and then told me that I should read up on the WAPF diet- which is a strongly anti-science, anti-vax pseudoscience pioneered by a dentist in the 1930s.

And all throughout this, you've been telling people that 'we should stop giving in to hate, that we should lead with love, that now is the time to to come together.'

This... IS what coming together looks like. Sharing hotline information, putting together coalitions and connecting, and publicly grieving the loss of our rights is what coming together looks like. I can't, and won't, extend an olive branch to the people that chose to sell me out for $2/gallon gas that they're not even gonna get. But I can call in my friends and bond tightly with them, call the bullshit out, and make plans to fight.

But poor you, I guess, for wanting children. The policies outlined in Project 2025 affect you, too, but I guess talking over the people who are rightly scared was important to you.

[linkspooky]

GOOD SIBLING, BAD SIBLING: THE FIRE SIBLINGS VS. STARFIRE AND BLACKFIRE

What could two siblings born in a royal family where one is scapegoated and the other treated like a golden child possibly have in common? More than you think.

This post is making the rounds again and I thought it would be fun to make a longer post going into depth why I think Starfire and Blackfire avert the common trope of good sibling bad sibling, by comparing it to something that fails to avoid that trope. If you like doomed siblings or bad victims then click the readmore.

Good Sibling, Bad Sibling

To start off with I'm going to explain what I mean when I use the words Good Sibling, Bad Sibling. It's a trope that's an extention of what I call Good Victim, Bad Victim. It's when a story compares two victims of abuse, and one victim is a more acceptable victim while the other is a bad victim because they're not perfect suffering Cinderellas.

Victims of course still have agency in their responses, they're still culpable if their actions go on to hurt someone, they don't have a right to hurt others, but I think it's also true most people are quick to judge victims for not being strong enough to endure abuse when they haven't been in the same situation.

It's easy from an outsider's perspective to be "I wouldn't do that". It comes from a pretty shallow view that villainizes abusers and renders them as inhuman monsters when the truth is all abusers are still humans and anyone can fall into patterns of abuse whether they mean to or not.

One reason I hate this trope besides like, the fact characters that aren't perfect victims are often considered "too far gone" and murdered by the narrative, it's also just really shallow. In the end it usually comes down to the victim getting love and support healing and the victim who didn't have support getting worse. Which is like, a no duh of a situation. A person without friends or a support system or love in their life tends to not get better? Who woulda guessed.

Good Sibling, Bad Sibling shows up when two siblings are raised under the same house, sometimes even in the same abusive circumstances and one is a hero and the other is a villain. Another version of this tropes is the fact that if there are twins one of them is usually going to be a good twin and the other is an evil twin.

I can understand where this trope comes from because like siblings are a naturally close relationship, so it makes it a deeply personal conflict when a character's sibling turns against them. I don't even think it's a necessarily bad trope, if both characters are humanized equally which almost never happens.

Examples of this trope: Gammorra and Nebula, Mai and Maki, Shoto and Toya, Dick Grayson and Jason Todd, Itachi and Sasuke.

And of course, Starfire and Blackfire, and Zuko and Azula.

My goal is to show by breaking the source material, New Teen Titans and the Avatar Cartoon down the former averts the trope and the latter plays it straight.

The Golden Child and the Scapegoat

A common trope used in dysfuctional families is dividing children between a golden child, and a scapegoat. The parent often projects all of their positive qualities on a golden child, along with high expectations. While the Scapegoat has all their negative qualities projected on them, and is often blamed unfairly for the dysfunction in the house. They are scapegoated so to speak, and constantly the victim of things like shifting goalposts.

It's like a more extreme version of playing favorites with an extra dollop of abuse on top. Also to be clear, this is an abusive dynamic where both sides are abused. They're not being seen as parents by their parents, and they are essentially being pitted against each other. There are plenty of parents who will be just as harsh on their perceived favorite. Being the golden child doesn't really safeguard you from abuse, even if it seems to be the more favorable position to be in.

Also in general when discussing abuse, arguing over who has it worse is kind of a pointless argument.

Also sometimes the playing favorites is intentional. By splitting up siblings and putting them against each other, the parent gets more control over each of them like a divide and conquer strategy. After all an abusers primary objective is to maintain control over someone by patterns of abusive behavior meant to wear down their sense of resistance.

With that being established, comparing the two royal families is interesting because the "hero" sibling is the golden child in one version, and the "villain" sibling is the scapegoat in another. If anything this proves that both forms of abuse can be the reason for a villain's tragic backstory.

STARFIRE AND AZULA THE PERFECT PRINCESS

Starfire might appear at first to be the total opposite of Azula. One of them is a hero who's like entire character is built around her overflowing emotions and the love she feels for people. While Azula is cold, calculating, and often treats her own friends like pawns instead of people. Starfire also doesn't repeat the cycle of abuse, while Azula does.

If you look past that there's a lot of comparisons to draw between the two of them. They are both raised in warrior, war-like cultures. The Tamaraneans may be all about that peace and love but like, an early conflict with Starfire's is that because she was raised on a planet as a warrior she doesn't understand why other heroes have a no-kill rule.

Azula is also a product of her culture. To begin with she's raised as a child soldier, of a nationalist and imperialist nation who are actively colonizing half the war. Azula also contributes significantly to the war effort, and never shows any doubt to the values of her culture.

As a brief summary of their early characters, Azula is princess of the fire nation which went to war with the world. She's the daughter of the Fire Nation's absolute ruler. She's however, the second born and not ever expected to inherit the throne. She is introduced in season one when Zuko vents to an unconscious Aang about how everything has always been easy for his sister. In Season two she becomes the main antagonist, first tasked with retrieving her brother, and then decides to try to capture the avatar on her own. I'd also be remiss to mention that Azula is the most personal antagonist the heroes face, because Ozai is more of a final boss. Starfire is an alien that was sold by her sister into slavery essentially (Blackfire is not a good person). She escaped to earth and became a member of the Teen Titans where she found a new family and worked as a hero. She's basically an immigrant to earth and there's a lot of culture shock. Starfire eventually returns home to her planet when it's in danger, and faces her sister as an antagonist.

This is another way in which they differ, Azula is the primary antagonist and negative foil to Zuko, and Blackfire is the primary antagonist and negative foil to Starfire.

While both basically have the tentative position of the favorite, while their sibling is demonized, it's made clear to them that they're not actually "safe" with their parents. Both sets of parents are awful and the origin of all abuse within the household. These characters also receive a slap in the face after being in denial for a long time that these parents will even mistreat their "favorite" child and treat them like an object.

Though, I would argue that Starfire is more in denial about her parent's abuse and will still see them as loving parents, while Azula is aware that her father could turn on her and strives for perfection to keep herself "safe".

Note Starfire is still saying this stuff after her parent's sold her into a political marriage.

Ozai: My decision is final. Azula: You ... you can't treat me like this! You can't treat me like Zuko! Ozai: Azula, silence yourself. Azula: But it was my idea to burn everything to the ground! I deserve to be by your side!

I've seen some people's unsympathetic readings of this line that Azula throws Zuko under the bus, but like... Azula doesn't want to be abused like her brother. What a monster. Let's see how you react when the father you thought was safe turns on you, I think most people would say or do anything not to get hurt.

I don't want to sound too critical of Starfire because she has her reasons (Blackfire abused her severely) but both Starfire and Azula seem to justify their parent's abuse to themselves by saying Blackfire or Zuko did something to cause the abuse. Sliding the blame from the abuser to the abuse victim. They participate in the parent's scapegoating of the the least favorite child.

I'd like to point out though that the ultimate cause of the situation is the parents themselves. The abuse started when they are children, and expecting Starfire and Azula as children to like, go out of their way to protect their abused siblings is expecting a lot out of them.

Like Azula is afraid to lose her position as the favorite because Ozai has demonstrated before that he'll horribly mutilate his children. Who would have guessed. Blackfire severely abused Starfire in their childhood, so she sees Blackfire as her enemy and not her parents who would have guessed.

In general too, expecting Starfire and Azula to be perfect siblings in an abusive household, and always protect their siblings, is once again a lot to expect from literal children who don't have fully developed brains.

However, I would say in both cases, they both try harder to connect with their sibling. This is where I get angry anons in my inbox, yes I'm going to make the argument that Azula was a better sibling than Zuko was to her. No I also don't expect Zuko to be a perfect big brother when actively being abused by Ozai. No I don't think Zuko owes Azula anything because she too prioritized her own well being over him that's what abuse victims do.

I'm just making the argument with in text examples that Azula does more things to help Zuko, and Starfire actively tried to befriend Blackfire before the sibling abuse started. In fact I think that's what makes both relationships incredibly tragic. It's not really two siblings who love each other on opposite sides of a conflict. It's that Blackfire and Zuko can't see past their own abuse, and can't love their siblings.

Once again I'm not blaming Zuko for priotizing himself, but I also think it's unfair to critcize Azula for taking care of herself and not sticking her neck out for Zuko when they were both being abused. Wow why are people extra harsh on Azula and extra forgiving on Zuko. It's almost like women are always expected to be perfect nurturers, and when they're not allowed to be complex human beings with flaws. My old enemy the Madonna Whore complex you strike again!

Anyway onto the examples. The big one is that Azula invited Zuko back after Ba Sing Se, seemed genuine about wanting to help resstore his honor. This is also a sacrifice on her part, because as I said even when he was banished Zuko didn't lose the title of crown prince. His status as the heir was never in question and like, letting Zuko stay a prisoner in Ba Sing Se would have ensured his inheritance would fall to her.

Why don't you let him decide, Uncle? [To Zuko.] I need you, Zuko. I've plotted every move of this day, [Makes a fist.] this glorious day in Fire Nation history, and the only way we win is together. At the end of this day, you will have your honor back. You will have Father's love. You will have everything you want.

Now common criticisms people use to argue that Azula has good intentions.

1) Azula needed Zuko to turn the tides in battle. While Azula was kind of in a corner in the fight where Zuko turned she also had Mai and Ty Lee and the entire Dai Li on her side so I don't think she'd really assume she needed Zuko to defeat the avatar. Also she starts getting backed into a corner long after she made the offer to Zuko so she had no way of knowing that ahead of time. Also, also, she might have just been backed into a corner for the sake of drama, making it more impactful when Zuko shows up and turns the tide.

2) Azula somehow knew she might not kill the avatar and needed Zuko to take the fall. This one doesn't make sense because Azula doesn't have any idea that Aang didn't die, until Zuko hints at it. After that point, Zuko kept it a secret from her and refused to tell her even though the truth being revealed would impact both of them. Like for Azula to know ahead of time she'd fail to kill the avatar when she made her offer to Zuko, and then bring him back to take the fall would require some 4d chess on her end.

Two more examples are Azula goes out of her way to warn Zuko that he might get in trouble for visint Iroh so often. On the Beach she's the one who comforts him and retrieves him from their old vacation house. When they're in front of the fire and Zuko is troubled she asks him what's wrong and even asks if she's the one at fault. Whereas Zuko mocks her for not having problems when Azula confesses her mother thought she was a monster he doesn't say anything in response.

In Tales of the New Teen Titans we get a closer look at Starfire and Blackfire's childhood, and we're shown Starfire tried hard at first to get along with her sister. Starfire also, in spite of being a victim of Blackfire's abuse went out of her way to save her life twice.

Something Blackfire responded with by immediately trying to kill her. Blackfire, you are a piece of work. In both cases, I'd argue Starfire and Azula try at least to have a positive relationship with their siblings. Attempts that are almost completely one-sided. I don't want to demonize Zuko too much though, because as I said when you're actively being abused it's number one easy to see the other sibling as being better off, and only natural you would prioritize yourself.

Also, Blackfire was an adult and continued the abuse later on in life when she had more agency, whereas Zuko for most of the tv show was a minor and you shouldn't hold minors to adult standards. If I judge characters for having an imperfect reaction to abuse, or not being perfect siblings I can no longer call myself a bad victim enjoyer.

Both Starefire and Azula as I said, participate in the scapegoating. In both cases it's out of a desire to maintain their spot as the golden child, because they want to assume they're safe.

Starfire actively defends her aprents all the time, while insisting that Blackfire was evil to begin with. Which is understandable again because Blackfire's abuse is just so much worse than anything Azula does to Zuko. It's expecting a little too much for Starfire to see the humanity in her abuser when she's a lifelong victim.

Like little blackfire things: Killing her sister's pet.

Phsyical abuse, actively trying to kill her even before they were on opposite sides of a war.

Selling her into Slavery (where Starfire was sexually abused).

It's extra tragic because both are essentially blaming the other for their parent's abuse. Blackfire takes out her pain on Starfire as revenge for her parent's favoritism, even though it's not her fault. Starfire demonizes Blackfire because she refuses to confront the fact that her parent's are abusive.

This is behavior Azula engages in as well. If you read into her actions, you can tell she blames Zuko for his abuse, you can't treat me like Zuko, while also believing that if she can just make Zuko act more like a prince he won't provoke his father anymore. Once again, sliding the blame on the abused rather than the abuser makes Azula feel more safe, because she also believes if she's perfect Ozai will leave her alone.

Zuko and Blackfire: The Banished Prince and the DIsowned Princess

This is another pair of seeming opposites. Blackfire is essentially Starfire's most personal arch enemy, occupying the same spot as Azula. Zuko is a villain for awhile, but honestly he's bad at it, and until the end of Season 1 he's so ineffectual he's more comic relief. Blackfire like Azula is insanely competent and causes a lot of genuine harm to the protagonists, and is far far worse than Zuko or even Azula obviously. I mean I've already listed some of the things she did above, but she also let her planet be conquered by aliens, orchestrated not one but two cues, and tried to have her parents blown up on live television.

However, both characters are effectively disowned and banished from their country for their inability to fit in. Both are banished and excessively punished.

Blackfire is the first born princess of Tamaran and she should have been heir to her family, but she was stripped of her inheritance because she was born disabled. Every Tamaranean can fly except her because of a sickness that nearly killed her when she was younger.

That's right everyone, the disabled representation you've been waiting for the sibling abuser and war-mongerer.

I think Blackfire's abuse covers a common way parent's treat their disabled children, where they don't want to make accomodations and make it clear they' don't want to take care of a disabled child and spend all their attention on their abled children instead. This trope is often called "Better dead than disabled."

Also I'd be remiss to point out that Tamaraneas have access to hover technology so Blackfire's disability doesn't inhibit her in any way. Like damn, parents will do anything but try to accomondate their disabled child.

Zuko is punished needlessly for a small offense of speaking out of turn in a meeting for not wanting to sacrifice young soldiers, and then refusing to fight back against his father in an angi kai. At which point he's banished and sent on a fool's errand of hunting the avatar.

Blackfire's reason for being banished is uhhh, because she tried to kill her sister in combat training, but also she was stripped of her inheritance just before being born disabled. She awas punished for things she couldn't control before she did anything wrong.

Both siblings also try to make up for their trauma and perceived deficiencies by constantly projecting violence. Blackfire is like, obsesed with war, Zuko's definition of honor is more focused around glory gained by combat more particularly killing the avatar in the first season. Both of them actively participated in colonization, Blackfire helped colonize her home planet, Zuko burned Kyoshi village and helped Azula with Ba Sing Se. Blackfire brought back an army to colonize her home planet, then attempts a military coup of a rather peaceful reign her parents secured not once but twice.

Both are blamed for their parent's abuse, it's Blackfire's fault because she was a violent and unlikable child she made it impossible to love her. It's Zuko's fault, he just didn't try hard enough to please his father and fit in as a prince.

While I may sound overly critical of Avatar's writing I do like how they gave Zukio a lot of chances to make mistakes and screw up, and instead of condemning him or dismissing him as too far gone they kept reinforcing that he always had a chance to better himself.

Both characters are really jealous and tend to blame the other sibling who's treated as the favorite for their abuse.

Zuko: "You're like my sister. Everything always came easy to her. She is a firebending prodigy and everyone adores her. My father says she was born lucky. He says I was lucky to be born... I don't need luck though - I don't want it. I've always had to struggle and fight and that's made me strong. It's made me who I am".

Though to give credit to Blackfire, while as a child she blamed Starfire for everything and used her as a punching bag, as an adult she seems to understand that the cause of their conflict was their parents and in fact tries to explain this to Starfire multiple times. So she's matured enough to see that Starfire is ultimately a victim too.

As I said too, Zuko is a child, he's also like still actively being victimized by Ozai while at the same time under the notion that if he does the right thing he can earn Ozai's love for 3/4ths of the show it's easy to understand why he'd blame Azula for his position as the scapegoat instead of Ozai.

Zuko never attempts to convince Azula to change sides with him, or considers that an option. When Azula is like, falling through the air about to die he doesn't tell his friends piloting the bison to try to save her. His stated goal when fighting Azula in the fignal agni kai is to put her in her place. That's literally a line he says.

Zuko, the empath when noticing she's having a total mental breakdown says "She's kind of off" and decides to take advantage of that to win the fight. When Azula finally breaks down and is screaming and crying, he just kind of sits there looking bored.

I'm not arguing that Zuko owes her anything that's a personal opinion, just that it's inconsistent with Zuko's writing. Zuko is presented to us as a character revolving around redemption, that learns that love and forgiveness are key to growth and healing and then just... doesn't apply those same lessons he learned to his sister.

That same kind of hypocrisy is present in Starfire, but it's like intentional. Starfire's inability to empathize with her sister, when her entire character revolves around empathy and love shows just how damaged her relationship with her sister is. Even then Starfire like, saves her life twice and was never able to kill her. With far more reason to not empathize with her sister, while blatantly hating her, Starfire still has that tiny bit of empathy for her. It's also like, Tamaraneans are a violent warrior people, and they're also extremely emotional and full of love, Starfire embodies both sides of that.

It's not just Blackfire either, it takes Starfire a long time to learn that she can't just kill criminals (again understandable, a cultural thing, in fact people like Dick are a little bit too harsh on her for this instead of trying to explain and understand where she's coming from). It is consistent with Starfire's writing, she is openly loving, but she's not the team mom that's Donna.

Zuko like, not even trying to redeem Azula or just like, not really caring is inconsistent with the writing that's trying to tell us that deep down Zuko is a caring person that is going to help heal the fire nation by showing them a better path forward. Zuko's double standards towards his sister, and his unfairly blaming her for his father's abuse is not written as a flaw. Blackfire unfairy blaming Starfire for her parent's abuse is a flaw. Blackfire's abuse of Starfire is her own fault, which is something she continues to do well into adulthood.

Which is why it's kind of all the more baffling, that Blackfire is way worse, is humanized a lot more by her narrative than Azula is. Now we reach the final part.

The Final Agni Kai

Now to trash on everyone's favorite scene that I absolutely despise as the end to Zuko and Azula's arc, while praising what is my favorite arc in the whole New Teen Titans manga. In the series finale of Avatar, Zuko after reuniting with Iroh is tasked with challenging Azula for the throne in the Agni Kai. They fight, and Zuko comes out on top.

In what is essentially the final fight between Starfire and Blackfire, Starfire is alerted by her brother that things are going down on her planet. She leaves earth with the Teen Titans and returns to her planet for a second time. Where she learns that she is being sold by her parents into an arranged marriage, as a part of a peace agreement with the invading force of her planet. Something that Starfire does not take well too, because she's currently in love with her longtime boyfriend Dick Grayson.

I'm going to skip over the Soap opera that is Starfire and Dick, because it's soon revealed that Blackfire too has returned in order to orchestrate a coup to overthrow her parents once more.

In the end Blackfire reveals her plan that she's set up an ion bomb to hold the whole planet hostage unless her parents abdicate and declare her ruler. At which point, Blackfire succeeds.

Both plots involve the scapegoat finally reclaiming their heritage and beating their sibling for the first time, one is the hero, the other is the villain... or are they?

There's a reason I love one arc and hate the other. It's that Blackfire is eventually allowed to be her own seperate character from Starfire, whereas Azula is ultimately just a plot object to strengthen Zuko's arc. This is shown in just, the amount of focus Zuko and his inner world are compared to Azula, how he has one of the most lovingly tailored redemption arcs shown throughout the entire show whereas Azula's mental breakdown is rushed through the entire end.

However, to further illustrate this let me show how well the New Teen Titans humanizes Koriand'r. To begin with, we see their childhood from both perspectives, to show both are biased narrators. Starfire represents her sister as being born evil, while Blackfire believes Starfire being the favorite took all her parent's love away from her.

Blackfire also gets, sympathetic motivations that demonstrate she's also capable of love and craves it deep down but suppresses it because she believes she needs to be a weapon of war. Something that is directly stated by the comics and only like implied by offhand by the avatar show.

In fact Blackfire gets to star in her own comic which tells a story where she is temporarily blinded after her first defeat to Starfire. After feeling helpess she feels like she's lost the will to fight, the will to kill, the will to rule which is how she defines herself.

Blackfire survives with one of her soldiers who doesn't abandon her, and helps teach with her rehabilitation teaching her how to fight while blind. Their relationship grows so close that Dorion feels like the first person that ever took care of Blackfire, and she breaks down and admits how much she wants to be loved. She almost seems willing to give up her conquest.

However, Blackfire misses out on the chance to be loved because her fanatically devoted soldier tricks her into killing him in order to show her that she still has the edge to kill.

This also clues us into more complex motivations for Blackfire. She is actively a patriot who believes that her father's rule is weak (she turns out to be right) and believes that conquering her planet is in effect her way of saving it. She has to put on this persona because the cause is more important than anything in her life, even love.

(This also contrasts Starfire who has no interest in being a ruler and runs away to live on earth with her love).

Also I'd be remiss to mention at the end of this particular arc Starfire doesn't forgive her sister or reconcile with her. I've never believed she owed her that. The arc just shows that Blackfire a human being (or a tamaranean I guess) who is capable of both good and evil. That her motivations are more complex than being a power hungry usurper and she actually can have good intentions. She's more of an example of the 'Well-intentioned Extremist" trope.

It's the complete opposite of Azula who's reduced to the mad queen stereotype in the end. Which is another knock against Avatar, Blackfire might not be the best disabled representation in the world but as I said parent's only treating their disabled child as a burden and that disabled child watching their parents take care of and love their abled children is a real thing that happens all the time. The comic also goes to show how competent Blackfire is in sipte of her disability.

Whereas, I can't imagine what it feels like to see yourself in Azula's mental breakdown, only to watch her last moment on the show have her offered no support, and not even a single sign that she might recover one day. Blackfire's motivations are tied to her abuse, but she's not demonized for being disabled in fact she's fantastically competent. Azula's like, readuced to an inhuman, ugly monster, and her mental illness takes all of her agency away and once again we're shown no hope for recovery.

Azula is reduced to a screaming incoherent mess. She has basically no agency in the end. Not only does Blackfire have agency, but like she has acutal points to make? The story values her point of view and gives credence to it? Myand'r is a weak ruler. She's not wrong when she says that their parents are the source of abuse for both of them. In fact, the narrative directly states the ones who started the abuse are their parents while it only implies it again with Azula and Zuko. Maybe the reason so many people deny that Azula is an abuse victim is because we only see the abuse from Zuko's perspective not Azula's. Whereas we get both conflicting accounts of Blackfire and Starfire's childhood and the narrative trusts us to judge things with nuance rather than needing it fed to us.

The planet has been invaded twice now. She's also, like, more popular with her father's weak rule?

Also like the story shows us why Blackfire will make a better ruler than Starfire. The narrative doesn't really illustrate how Zuko will be a better ruler, it just follows the "good king" trope.

I mean it's a fun little parallel that both Zuko and Blackfire are both an exiled prince and princess respectively, who return home to take back their throne. On one hand though, it feels like Zuko does it out of like, wanting to reclaim his birthright, or his feeling that the throne is his destiny. That's part of Blackfire's motivation too, but as I said, Zuko never states onscreen how he plans to improve the fire nation, Blackfire's got like actual policies.

Which is where the difference ultimately lies, Blackfire and Starfire are ultimately characterized as two sides of the same coin who need to come together to save the planet. Killing blackfire or putting her down won't fix shit or end the cycle of abuse on Tamaran. Blackfire and Starfire are much like Tamaran defined by love and war, and there's love and war in Starfire, and love and war in Blackfire and they both need to find a balance between the two.

This is in contrast to Zuko and Azula who's final conflict is just putting Azula down like a mad dog, quite literally. Blackfire is allowed to be human, with good and bad traits, and like actual points to make whereas Zuko's narrative only cares about Zuko's thoughts, and in general instead of coming together the narrative seems to think the only way that Zuko can triumph is if Azula is dragged down into the mud.

Blackfire is a character, and Azula is ultimately just a plot obstacle.

So that's my long ramble on a sibling relationship I absolutely love, and a sibling relationship I can't love no matter how much I like Zuko and Azula individually.

[seitmai]

Three paces into the hallway, brown wood floors and white walls, you’re met with a smiling family picture. Only, you’re not in it. Because, it’s not a picture of Pete’s family. Pete doesn’t have a family. Pete Mitchell has a daughter from a one night stand with a married woman.

Uff 😬

The nickname stings you. Your name isn’t Mitchell because your biological father had wanted it to be. It’s Mitchell solely because your mother’s husband knew you weren’t his and would rather die before letting you take his name.

Damn

Your throat is thick with the knowledge that all you knew Maverick to be, is now all that he’ll ever be. An absent father, a fantastic pilot, a lousy cook. A thousand more things that you’ll never know.

To know that you don't know a lot and will never know more is rough...

It’s been almost two years since you even set foot in this house last. If you had known that Maverick was going to be gone this soon… you sit and think to yourself about if you would have maybe visited more. Probably not.

Sometimes being honest to oneself is not easy

He stares down at the pizza between the two of you as he chews through a bite, brows drawn together slightly. He hates thin crust pizza — it’s the worst kind of pizza. But, when you had suggested it, he had agreed with a tight-lipped smile.

Hey, nobody slander thin crust there are far worse kind of pizza ☝🏻

“I’m sorry.” Bradley blurts out. You both look across at each other, equally surprised that he has spoken. “…For what?” You ask quietly, lips tugging into a small frown. “I’m sorry that I’m here and he’s not.” He’s just got to say it. He knows you probably wouldn’t bring it up on your own, but there’s a big elephant in this room. Bradley knows what it’s like to sit in your spot, and not know how to talk about it.

God they are lowkey awkward together and neither of them just knows what to do with themselves 🥴

“We weren’t that close.” You tell him, like that’s supposed to make him feel better. It doesn’t. It’s like a blow to the chest. You’ll never get the opportunity to fix things, because of him.

I feel like this maybe hurts Bradley more than her..

Your teeth press into the inside of your cheek. Maverick hadn’t ever described Bradley as this nervous.

👀

Nothing. A couple of beers and a block of good German cheese.

I mean it could be worse lol🤷🏻‍♀️

“Uh... No, not really.” After a routine training presentation at the very beginning of their attachment, Admiral Simpson had once become so agitated by Maverick that he snapped his own reading glasses in half. Mav got a good laugh out of it, at least.

At that I would have laughed too 🤭

It’s an easy answer, rolling off of your tongue with a shrug of your shoulders and a deflated sigh. “People usually put us in the same boat — if they don’t like him, they don’t like me.”

That's really shitty, especially knowing Mav's reputation 🥴

That’s something that he thinks he can understand. There’s not an instant dislike, but there’s a pity that he finds in the eyes of people who once knew his father. 

At that they really share a bit of similar fate

Her boots hit the ground, your lips parting slightly as you realise that she’s headed right for you. Bradley feels your arm tug in his grip and turns his head, taking note of the way you’re trying to shrink behind him. Lynn is a hugger by nature, and she was a good friend of Mav’s for a long time. She means well, but Bradley isn’t going to let her touch you when he can see how unnerved it makes you.

Good thinking Bradley, nothing worse than an unwanted hug by a stranger 🫣

You check back over your shoulder, glancing briefly at the man behind you, who has assumed his best bodyguard impression. 

I'm sure he does 🤭

“Miss Mitchell,” The admiral takes his seat on the other side of his desk once again. “I want to first express my deepest condolences. Your father was a good man, and a… extremely skilled pilot.” Bradley almost scoffs. Even now, Cyclone can’t manage to compliment him.

It seems his feeling run deep 😬

“But— he’s dead.” You frown, rendering Cyclone suddenly quiet. “He’s got to be. It’s been a week. No food, no water, sub-zero temperature. What’s the point in looking?” Bradley grits his teeth. He looks across at you, the muscle in his jaw ticking. There’s nothing in your expression, no fear or sadness. Your father deserved more than that. “The point is to bring him home.” He bites from your side, staring straight ahead at Cyclone.

This is rough... I get her questioning the process, it's not something that someone is usually confronted with..

You’re biting at the inside of your cheek so hard that you must be tasting copper, picking at the seam of your jeans and breathing like you’re trying not to cry.

🥺🥺🥺

“I— fuck. I don’t want to be here. I-I— I’m going to have to find a job, and I’ll have to call my mom, and— and my friends, and—“ “Hey,” Bradley mumbles, resisting the instinct to throw his arms around you. His brows draw together as he reaches out and squeezes your bicep, bending his knees so he can catch your eye. “It’s alright. I’ll take care of it.” You know that he’s just trying to be nice, but really, you’re sick of nice. It’s all that Maverick ever was and it left you with no idea of who he really is.

She has every right to be angry, upset and sad even if he really just ries to be nice, this is just not a good situation anyway and with the news of the investigation it just got SO MUCH worse🥴

He nods, closing his mouth, swallowing dryly. Thinking of what he can, feasibly, take off of your plate for you. The idea sparks in him. “You need a job. I can get you a job. Um, your friends, we can call them and bring them down for a weekend?” He squeezes again at your bicep, nodding his way through his plans, trying to will the tears in your eyes not to spill over.

I like that he is thinking practical!

“I don’t want to go back to his house.” It comes out as a whimper, and really just reminds Bradley that you’re in the same position that he was when he was just a little younger than you. It’s a scared kid type of feeling, being all alone in the world. Being in an empty house had made it even worse. He licks his lips and glances towards the skies, watching the sun pass behind a cloud. “You could stay at my place, for a night or two.” 

Just a night or two, sure 😏🤭

Ashes, Ashes | One | Bradley Bradshaw x Reader

masterlist | prologue | next chapter

Synopsis: In which Maverick didn’t make it home after the Uranium mission. He’s missing, presumed dead. There are things that have to be done — someone has to take care of the house, the bills.

So, Maverick’s daughter is back in Fightertown for the first time since she was in elementary school. There’s a gaping hole in both of their lives now, and somehow, the world’s supposed to just keep on turning without him.

Warnings: mitchell!reader, no physical descriptors other than the implication that Bradley is taller, no use of YN, age gap (23/33), smut, angst, hurt / comfort, mentions of character death, mourning, military inaccuracies. This entire fic and my blog is an 18+ space, minors do not interact. Do not repost.

…

Crossing the threshold into Maverick’s home doesn’t come naturally to either one of you. This place is something that you had both left behind. Outgrown. It’s solely his. It’s not your home and it has never been, until now. Now, you’re stuck here until things are figured out.

On that fourteen hour drive down to San Diego, you had a lot of time to think. How long is a person supposed to wait for a body to turn up before they go ahead and throw the funeral without it?

Three paces into the hallway, brown wood floors and white walls, you’re met with a smiling family picture. Only, you’re not in it. 

Because, it’s not a picture of Pete’s family. Pete doesn’t have a family. Pete Mitchell has a daughter from a one night stand with a married woman.

This picture is of a real family. Hung on the wall opposite the front door is a picture of Nick and Carole Bradshaw holding their infant son. He’s bald and gummy. They’re grinning and showing him off like a prize trophy — so proud of him even though all he did in those days was drool and pee himself. 

These days, their infant son is up to more important things. Their infant son grew to an upsettingly grand height and is carrying two of your bags in one hand behind you today.

“C’mon, Mitchell — these are heavy.” Bradley huffs softly from behind you, reminding you that you’re standing stationary and blocking his path. 

The nickname stings you. Your name isn’t Mitchell because your biological father had wanted it to be. It’s Mitchell solely because your mother’s husband knew you weren’t his and would rather die before letting you take his name.

You shrug your duffel bag closer to your body and turn left. Bradley huffs under the weight of your luggage from behind you, watching you walk your cute butt in completely the wrong direction. “Wait, where are you going?”

Not struggling at all under the weight of your single duffel bag, you turn slowly to face him and frown slightly. “My room.” 

You don’t remember Bradley. Not in your own memories, anyway. You know he was around, you’ve seen him in pictures but the image in your head doesn’t match. Not quite right. Like puzzle pieces bent and forced together.

He’s taller than he looked at his high school graduation, which sits pictured and framed above Mav’s mantle. Older, but that’s to be expected. Up close, he looks more like his mother than his father. A slight bump in his nose and scars, nicely healed, but jagged and raised nonetheless dusted his cheek and his throat. 

Even with all those differences, there’s a familiarity to him that makes this all feel a little bit less suffocating.

Bradley’s brows draw together. He gives a small nod in the direction of the spare room. “That’s… I usually stayed in that room.”

“Oh.” You hum. With Bradley being ten years your senior, the room was his long before it was yours. With him growing up so close by, it was probably his much more frequently than it was yours. It’s not like you kept anything here anyway. It’s just a guest room that you would occupy every now and again.

There’s a brief quiet between you. 

“I just figured you could take the big room. ‘Til you get settled. I’ll go home once your car is fixed, if that’s what you want.” Bradley adds on. That sad little look on your face is killing him. 

The big room. The loft room upstairs. You’re pretty sure that you’ve never even been upstairs in this house.

“You’re staying too?” 

Oh. Yeah. He hadn’t addressed that point yet. Truthfully, he hadn’t even been planning to stay. He hasn’t even packed an overnight bag. But, from the second that you stepped out of the car and looked up at the house with that look on your face, he hadn’t even considered leaving you here alone.

“Just ‘til we get your car fixed,” He offers with a small shrug. “I’ll be here to run you around until then.”

Like he’s doing this for your sake. Natasha has her own life to get back to and Bradley can’t stand the thought of going back to his apartment alone. 

“Okay,” You agree, turning to peer down the hall towards the spare room. It’s nothing special — it really never felt like yours. “Alright, I’ll take Pete’s room.”

Pete. You call Maverick ‘Pete’ now. 

Bradley just nods, shifting the weight of your bags and nodding for you to head for the stairs. All the floors in this house are tan oak. The entryway is now herringbone. With the help of a friend, Pete had done the entire thing himself. 

Of course, as you walk silently across it, neither one of you would know that. Neither one of you was speaking to him last May, which was why he had needed a project in the first place.

Natasha’s outside on the phone. Bradley’s footsteps thud on the wood of the stairs behind you, following you up. You stop at the top, leaving just enough room for Bradley to stand there behind you.

The door to Maverick’s room is open. His bed is made. There’s a book thrown on top of it, the spine cracked and used, the pages yellow from years out in the sun.

“No way is he still trying to fucking finish War and Peace.” Bradley steps around you with your bags in his hands and heads straight for the book. Pete started this book before Bradley finished elementary school. Bradley twists and looks back at you. “He always gets bored and stops reading, then forgets his page and starts again.”

Another slow nod. One foot in front of the other, your shoes along the tan oak floors. Your fingers trail the white walls. Maverick wouldn’t have minded. This place was always messy before. It’s not now. 

This house is vacant and quiet, but it’s far from empty. It’s filled to the brim, practically pulling apart at the seams with everything that Maverick was and planned to be. He was finishing War and Peace — he made it to chapter 253 this time; further than he had ever made it before. 

Your throat is thick with the knowledge that all you knew Maverick to be, is now all that he’ll ever be. An absent father, a fantastic pilot, a lousy cook. A thousand more things that you’ll never know.

Four days of knowing, a fourteen hour drive down here, and it’s a book that stings like a cold slap to the face, reminding you of why exactly it is that you’re here.

Fire burns behind your eyes, blistering and stinging as Bradley sets your bags on the floor with a soft thud.

He turns with his attention completely on the book, his fingers extending towards the peeling cover of the paperback. His fingers curl around its weathered pages and he lifts it tenderly, examining the front at first.

It’s too early to start this process bawling your eyes out, and you refuse to let Russian Literature be your downfall, again. That thick feeling sits in your throat like a stack of weights as you sit down on the end of Maverick’s bed. The mattress is soft, taking your weight without a squeak of complaint. Maybe he finally listened to you and got a bed that wasn’t so harsh on his back.

It’s been almost two years since you even set foot in this house last. If you had known that Maverick was going to be gone this soon… you sit and think to yourself about if you would have maybe visited more. Probably not.

“I’ll change the sheets and stuff, then I’ll get out of your hair for a bit.”

Lifting your head, you blink at him. He has already started to pull back the comforter and strip the bottom sheet from the bed, awkwardly forcing you onto your feet again. 

Mobile once more, you turn slowly to take in your surroundings. This is Maverick’s room. It’s his house, you were prepared for that much — but this is his room. The last thing you want is to be alone in it all night.

“Oh. Sure,” You nod, setting into motion to help take the sheets off. You watch him instead of what you’re doing. 

He’s so methodical about it, like none of this phases him at all. But then, you’ve not seen how he has been for the past few days. “I was thinking of just ordering food tonight, since I’m kinda tired — and Pete never had groceries. Would you want… to maybe join?”

“Sure.” Bradley nods, tugging the pillows out of the cases. He glances up to you with a strictly polite, neutral smile. Quiet settles between the two of you until the bed is just a bare mattress and uncovered pillows. 

There’s a moment of total stillness between the two of you. Your gaze flickers up, meeting his, and the realization settles between the two of you. Maverick’s favourite cologne was a French thing that some woman in the eighties had liked. Citrus in the shade of cypress wood. The scent fills the room like he’s standing between the two of you.

Bradley glances down at the white sheets in his hands. The snowy white peaks of those mountains, Maverick’s aircraft spiralling into them, engulfed in flames. In a sick way, Bradley hopes that he didn’t manage to eject. At least then, it would have been instant. Maverick wouldn’t have felt anything.

You watch his adam’s apple bob in his throat from the other side of the bed. The last you had heard, Mav and Bradley weren’t on speaking terms. You wonder if this is as weird for him as it is for you.

“I’ll put these in the washer. You can… unpack, or whatever.” He decides finally, already taking one step backwards, headed for the door. You stand there, blinking at him. Even with those steeped, broad shoulders, he makes it through the doorframe unscathed before he turns to check where he’s going.

He probably knows this house inside and out, just like he knew your dad. Once. 

When it comes to wracking your brain and trying to remember Bradley Bradshaw, you can’t ever come up with anything. Maybe a glimpse, here and there. A blue t-shirt with green stripes. His school backpack accidentally left in the backseat of Maverick’s convertible beside your shoddily installed car seat. 

Truthfully, your experience with Bradley Bradshaw is limited. He’s just as real to you as any of the other guys in the stories you grew up hearing about. Your very own Peter Pan is downstairs right now, trying to figure out Maverick’s ancient washing machine, just so that he doesn’t have to stand up here and stare across at you.

He can’t hide from you forever, though. Evening comes, and so does hunger. 

He stares down at the pizza between the two of you as he chews through a bite, brows drawn together slightly. He hates thin crust pizza — it’s the worst kind of pizza. But, when you had suggested it, he had agreed with a tight-lipped smile.

Natasha has gone home. It’s just the two of you. Sitting in this unchanged, all too familiar kitchen. You’re barely unpacked. You set up a couple of things in Maverick’s bathroom, but it doesn’t feel right to be in the big room upstairs. That wasn’t ever your space to claim.

You chew absentmindedly at the bite you had taken. The TV in the living room is off. The record player is coated in a layer of thin dust already. It’s dead quiet. The kitchen light is dim above your heads.

There’s a chip in the corner of the table on Bradley’s side. It’s there because Bradley was running through this kitchen when he was four years old and had tripped and knocked his front tooth out right here. His thumb trails the tiny mark, wondering how his teeth had ever been that small.

Wondering why you aren’t angry with him, too.

Maverick had picked him up that day, turned him around and held Bradley while he cried, stemming the blood and quickly introducing the concept of the tooth fairy. He had done all that he could, and Bradley still found a way to resent him for what had happened to his own father.

Bradley hasn’t ever done a thing for you. Except maybe pay for this pizza. And here you are, calm as can be. 

The sauce base feels tangy and coppery, and the cheese makes him want to puke. He sets the slice down on his plate and wipes his hands on the paper towel beside him.

Finally, he lifts his head and looks at you. Your hair is up now, tucked out of your way after an afternoon of manual labour upstairs. You’re wearing a stretched out old t-shirt. Bradley assumes you got it from a boyfriend.

Really, he doesn’t think you look that much like your old man. He would really have to search for the resemblance. But, briefly, when you offer him a polite smile across the table, he knows that you’re Mav’s kid.

“I’m sorry.” Bradley blurts out. You both look across at each other, equally surprised that he has spoken.

“…For what?” You ask quietly, lips tugging into a small frown.

“I’m sorry that I’m here and he’s not.” He’s just got to say it. He knows you probably wouldn’t bring it up on your own, but there’s a big elephant in this room. Bradley knows what it’s like to sit in your spot, and not know how to talk about it.

It’s his fault that Maverick didn’t make it home.

You stop chewing. That last bite sits in your mouth, doughy and dry all of a sudden. You stare across at him, awkwardly making yourself swallow down the last of your bite of pizza and picking up the paper towel to wipe at your mouth.

“We weren’t that close.” You tell him, like that’s supposed to make him feel better. It doesn’t. It’s like a blow to the chest. You’ll never get the opportunity to fix things, because of him.

But, he knows what it’s like to be told how to grieve. He just dips his head and nods awkwardly. “Right.” 

“I got a call from an admiral the other day,” You pick up the slice of pizza and pick at its toppings. There’s no one here now to tell you not to play with your food. Mav never really cared anyway. Bradley watches you, unhungry. “Invited me down to Miramar. He said he was a friend of Mav’s and that he could talk me through… this whole thing. How it works.” You explain with a shrug.

Bradley rubs a hand over the neatly trimmed hair above his lip. It feels like he has swallowed a golf ball, sitting here like it’s normal to be discussing the measures.

He knows how it works. It won’t be as simple as it was with his own father. At least Maverick had afforded him something to bury. For you, there’s nothing.

“I’ll have to be there around eleven.” 

“Sure,” Bradley nods, scratching at the back of his neck. His legs tingle with stiffness. Clearing his throat, he shifts in the little wooden chair and stretches, knocking his foot into yours under the table. “Oh. Sorry. I’m sorry.”

Your teeth press into the inside of your cheek. Maverick hadn’t ever described Bradley as this nervous.

“It’s fine.” You hum, pushing back in your chair and standing up from the table. “Well, I’ve been up since like… four, so I might just hit the hay.”

“Sure.” Bradley breathes out, hands braced on his thighs, eyes focussed on that tiny chip in the corner of the table. “Yeah. Goodnight.”

The downstairs bedroom seemed bigger when he was a kid. The twin-sized bunks on the carrier feel bigger than the wooden-framed bed that Maverick put in here. Bradley’s shoulder is practically hanging off the side, and the old frame creaks with each movement he makes.

It’s not like he would be sleeping much anyway. When he closes his eyes, the only thing he can see is the fireball Maverick’s plane had turned into as it fell.

Bradley’s hunched over the coffee pot by the time that you wake up. He hears you coming down the stairs and straightens up like he wasn’t three seconds from throwing the stupid thing at the wall, clearing his throat and turning around.

It occurs to him that he should have put a shirt on. This isn’t his place. It’s yours, now, he guesses — either way, he hadn’t considered making you uncomfortable. He folds his arms over his naked torso as you stroll into the kitchen, hair mussed and rubbing at your eyes.

You’re wearing big socks and the same big t-shirt you had worn to eat the pizza last night. He can’t tell if you’re wearing shorts or not.

“Morning,” He offers up, making you lift your gaze from busily tapping at your phone. Your gaze lands squarely on his navel — more so, how low his shorts sit on his hips and the way a soft trail of brown hair ventures from there to his bellybutton. 

Blinking, you find his face.

“Coffee machine’s broken, we can stop somewhere on the way to base if you like.” He leans down a little bit, like an awkward teenager shrinking away from a family picture. You lock your gaze on his, trying not to glance back down at his muscles. 

“Oh. That’s not broken — if you hit it hard enough, it’ll work.” You head right for him, fuzzy socks padding across the floor so softly that it really does startle him when you grab the copy of War and Peace that now sits on the kitchen counter, and slam the book right into the side of the coffee machine.

He whips around as the machine whirs to life. You set the book back down gently, and look up at him. He sets his jaw, brows knitted together, searching your face.

Maverick never taught Bradley anything like that. In fact — Bradley always, always was taught the opposite. You never take the easy way out; if something’s worth fixing, then you fix it right.

Then you, you on the other hand, beat the thing with the heaviest book you can find? He just doesn’t get it.

“Well. Thanks.” He guesses, turning his bemused expression back to the brewing coffee. 

He hadn’t been expecting you to do that. Doesn’t take a genius to figure that out, given the way he’s still glaring at the machine. That coffee pot is older than you are, and Mav never taught him that trick?

“So this guy, the one who called me,” You skim your fingers along the cool granite countertop, just to have something to do, “He was the guy calling the shots up there?”

Bradley blinks. He doesn’t know how much you know about the way all of this works. He knew everything there is to know long before he ever enlisted, but that was because he wanted to know.

“Um,” Bradley grabs his mug and takes a step back for you to get yourself one.  “He was our mission command so, kind of. He gives orders — but, y’know, everything happens fast, it’s… it’s hard to call the shots from back on the boat.” 

“Did he like Mav much?” You ask, head tucked inside the fridge door as you scan for anything to make your coffee a little less black. Nothing. A couple of beers and a block of good German cheese. You swing it shut with a resigned sigh, wondering if you’ll be here long enough to need groceries.

The thought flashes across your mind — what’ll happen to this place when you leave it behind?

“Uh... No, not really.” After a routine training presentation at the very beginning of their attachment, Admiral Simpson had once become so agitated by Maverick that he snapped his own reading glasses in half. Mav got a good laugh out of it, at least.

“Great.” Agitation creeps into your tone as you curl your fingers around a plain white coffee mug. All of his kitchenware is plain white. 

“What?” Bradley tilts his head, trying to catch a glimpse at the look on your face, stuck between whether you’re sad or pissed off.

It’s an easy answer, rolling off of your tongue with a shrug of your shoulders and a deflated sigh. “People usually put us in the same boat — if they don’t like him, they don’t like me.”

That’s something that he thinks he can understand. There’s not an instant dislike, but there’s a pity that he finds in the eyes of people who once knew his father. 

He screws his mouth up, shaking his head and reaching for you without thought. His palm claps against your shoulder, platonic and soothing, but the first time he has touched you nonetheless. “I’ll be there. He won’t say a thing.”

Glancing upward, while his palm lingers on your shoulder, your eyes flit across his features. He doesn’t know quite what you’re searching for, or whether you find it. His fingers squeeze softly against your skin before the touch is gone all together.

You drink your coffees in parallel, both subtly miserable in your silence but comfortable in it anyway. It’s difficult to prepare for a meeting like this — you don’t have a clue of what to expect. 

Bradley wears black jeans and boots with a plain white t-shirt, which convinces you not to wear the more formal dress you had thought you’d have to wear. You slip into his passenger seat in a skirt and Mary Janes.

He drives a loud, blue vintage Bronco. It sparkles inside and out, and makes your dusty old car look even worse. 

Bradley settles behind the wheel to the sound of chilled seventies music, the radio turned low. He drives with three fingers curled around the bottom of the wheel and the other hand resting absently on the stick shift.

Even though he seems calm enough behind the wheel, you watch him chew at the inside of his cheek for the duration of the drive. Gears tick away inside his head. His knee only stops bouncing nervously when it’s time to press his foot against the pedal.

He’s not as good at pretending as he thinks he is; you silently appreciate that he tries, either way.

Bradley, truthfully, spends the entire drive thinking about the last time he was face to face with Admiral Simpson. ‘Son, I’m doing this for you.’ He had sworn, face sullen, uttering the exact same words Pete Mitchell once had when delivering the words that had torn Bradley from him the first time.

Only, Admiral Simpson wasn’t pulling Bradley’s papers — he was just putting him on a month long bereavement leave. His protests had fallen on deaf ears once again, as they had fifteen years ago. He’s now a week into that leave, but it feels like longer.

It turns out that when you cut sleep from the equation, everything feels a lot longer. In his own apartment, his routine has been getting up at 2am after hours of tossing and turning, going for a run all the way down to the docks, coming back and showering, then waiting for the sun to rise.

Last night, he’d been awake in that creaky old twin bed, struck by the realisation that if he spent all night tossing and turning — one, he might actually break the old bed frame, and two, the squeaking of it would definitely keep you up. 

All it had taken was the focus of trying to sit still for so long to finally knock him out. It was the best that he’d slept since the mission.

He kind of hopes that it’ll take him a while to figure out something to do with your car; at least that way he’ll be able to sleep at night. 

“You ready?” His voice startles you from your daydream, the engine cutting out with a jingle of the keys as he stretches forwards in his seat to shove them into his pocket. “We’re headed just over there.”

“Yeah, let’s get this over with.” You’re stepping down and swinging the heavy door shut before you’re taking your next breath, leaving him to catch up to you. 

His long strides have him at your side before long, reaching ahead of you to pull open the glass door to the post headquarters. 

This process has already been easier with him at your side. He’d coolly handed over his service ID and greeted the guard at the gate by name, and he stops you from turning sharply down the wrong hallway with a soft bump of his shoulder against yours.

He catches your forearm as you try to blow right past the front desk, his grip loose but firm. 

“Rooster.” The woman behind the desk stands up sharply, looking sharp in her service khakis, her entire face creased with a deep worry. She’s older, maybe around Mav’s age. “I heard, I’m so sorry.”

Rooster loosens his hold on your forearm, his lips flattening into a line. He stands up straight, his interaction with the woman nothing if not totally polite. His thumb trails across the bend of your wrist as he nods his head towards you.

“Thank you,” He says softly, seemingly unaware of the way you’ve stiffened in the presence of this woman. “We’re, uh… we’re just here to see Cyclone, Lynn.”

Her warm, brown eyes whip towards you, widening. Recognition floods her features as she pieces together who you must be. 

Her boots hit the ground, your lips parting slightly as you realise that she’s headed right for you. Bradley feels your arm tug in his grip and turns his head, taking note of the way you’re trying to shrink behind him.

Lynn is a hugger by nature, and she was a good friend of Mav’s for a long time. She means well, but Bradley isn’t going to let her touch you when he can see how unnerved it makes you.

“We’re a little late. I’ll catch you at the O-Bar this weekend?” His fingers uncurl from your forearm and his palm falls flat between your shoulder blades, giving you a gentle nudge and silent permission to avoid her hug.

The woman stops and there’s another polite, departing exchange between the two of them while you continue down the hall.

Bradley catches up to you as you rap your knuckles against the doorframe, fingers trembling when they come to settle back against your thighs.

“Miss Mitchell.” A chair scrapes along the tiled floor, Cyclone’s signature rumbling voice carrying out into the hallway. His boots tap across the ground, his face creased with sincerity and his hand outstretched when he notices Bradley standing behind you. “Bradley Bradshaw.”

You check back over your shoulder, glancing briefly at the man behind you, who has assumed his best bodyguard impression. 

Standing tall, his uniform crisp and his greying black hair combed neatly, Admiral Beau Simpson slips his palm into yours and shakes your hand curtly. The sunlight catches on his shining name badge, his face heavy with lines and sharp angles.

Letting your hand go, he then reaches to your right to shake Bradley’s. Bradley’s chest bumps your back as he leans into the handshake.

You step away from him, angling yourself closer to the doorframe. “He just gave me a ride here. Is it okay if he comes in?” You answer.

“Of course,” Cyclone is far more polite to you than he has ever been to Bradley. “Anything you need. Please, take a seat.”

It feels a little bit wrong standing before his boss in jeans, and sitting before him. Everything about this feels a little bit wrong. Bradley rests his chin against his fist.

You sit in the chair beside him, shoving your trembling hands under your thighs, straightening up and trying to look as brave as you can. 

It shouldn’t be this stranger sitting beside you in this meeting — your mother should have come with you.

“Miss Mitchell,” The admiral takes his seat on the other side of his desk once again. “I want to first express my deepest condolences. Your father was a good man, and a… extremely skilled pilot.”

Bradley almost scoffs. Even now, Cyclone can’t manage to compliment him.

“We are forever grateful for his service, and the sacrifices he made on behalf of our country. I understand that this is an extremely difficult time, and I’d just like to say that I’m going to personally make sure that this process is as easy as it can possibly be.”

You blink at him. Jet engines rumble on outside of the window. People bustle on outside of the closed office door.

Cyclone glances towards Bradley. 

“When a man is lost in action, our resolve is to initiate a search and rescue effort as soon as possible,” The admiral explains, leaving out the part where that search and rescue effort had been delayed by seventy-two hours after Mav disappeared. “We’ve been working tirelessly, and our efforts to locate your father are ongoing.”

Your brows knit together.

“But— he’s dead.” You frown, rendering Cyclone suddenly quiet. “He’s got to be. It’s been a week. No food, no water, sub-zero temperature. What’s the point in looking?”

Bradley grits his teeth. He looks across at you, the muscle in his jaw ticking. There’s nothing in your expression, no fear or sadness. Your father deserved more than that.

“The point is to bring him home.” He bites from your side, staring straight ahead at Cyclone.

You shoot him a look. When it’s clear that you aren’t going to say anything else, Cyclone clears his throat to continue. 

“Miss Mitchell, we do have to prepare ourselves for the other outcome. If recovery efforts are unsuccessful, in two weeks time, he will be listed as formally ‘Missing in Action’. If that’s the case, we will honor him with a memorial service and all of his service records and personal effects 

are delivered to you.”

You drag your teeth across your bottom lip, swallowing hard and giving a small nod of your head.

“Okay. Two weeks?”

“This is going to be a longer process,” Cyclone warns you. He’d heard that you had come down specially for this, and he doesn’t want to mislead you about the time frame. “The recovery mission, if unsuccessful, will be suspended in two weeks’ time. After that, we’d like you to be local for the investigation.”

“Investigation?”

“Of ourselves. To ensure that the Navy had performed its due diligence, that kind of thing… I’d expect us to be here for a good few months.” He explains.

After that, it’s like Bradley can see a switch flip for you. 

You’re biting at the inside of your cheek so hard that you must be tasting copper, picking at the seam of your jeans and breathing like you’re trying not to cry.

He’s still confused when he’s all but chasing you across the parking lot, listening to you try to control your breathing.

“Hey, hey, hey,” He tries, approaching you cautiously as you crowd yourself against the passenger side of his car. “It’s alright. We’ll get through it, it’s just a couple of months.”

“I— fuck. I don’t want to be here. I-I— I’m going to have to find a job, and I’ll have to call my mom, and— and my friends, and—“

“Hey,” Bradley mumbles, resisting the instinct to throw his arms around you. His brows draw together as he reaches out and squeezes your bicep, bending his knees so he can catch your eye. “It’s alright. I’ll take care of it.”

You know that he’s just trying to be nice, but really, you’re sick of nice. It’s all that Maverick ever was and it left you with no idea of who he really is. “Of what? There’s so much that I have to—“

He nods, closing his mouth, swallowing dryly. Thinking of what he can, feasibly, take off of your plate for you. The idea sparks in him.

“You need a job. I can get you a job. Um, your friends, we can call them and bring them down for a weekend?” He squeezes again at your bicep, nodding his way through his plans, trying to will the tears in your eyes not to spill over.

You sniff, turning your gaze towards the ground. The lump in your throat burns and bobs as you try to swallow it away. 

Mav really is never coming back.

“I don’t want to go back to his house.” It comes out as a whimper, and really just reminds Bradley that you’re in the same position that he was when he was just a little younger than you. It’s a scared kid type of feeling, being all alone in the world. Being in an empty house had made it even worse.

He licks his lips and glances towards the skies, watching the sun pass behind a cloud. 

“You could stay at my place, for a night or two.” 

…

[myceliacrochet]

Reblog if answer tysm!!

You know, the children scream when those planes drop aid. It crushes people. Then people rush to the aid, and some take it first and shoot at others' feet to keep them away.

Palestinians don't want more things dropped from planes.

The man who posted the above, Ahmed Al-Mashaal, lost two children to the IOF, and he had to endure this. So much cruelty from the sky. It is a deeply degrading and violent way to extend a show of "help."

The U.S. acts like this kind of thing is our only way to help, as if we (yes the power elite, but also all U.S. citizens who pay taxes) aren't funding 70% of the genocide. Biden could end this today, Netanyahu could end this today, and the Israeli hostages, who are being cared for, would be sent back. But will the Palestinian hostages ever be sent back? We know what happens to the precious children Israel is holding hostage.

The text image is something my friend Moneer Raed @raedfamily wrote about those awful planes. He is 19 and helping take care of his 4-year-old sister, Sham. When I ask him how he and his family are, he always says they are fine and he just wants to make sure I'm okay. I've come to learn that he and his family are grateful to be alive, they are very positive, and they are in hell.

I asked him today if he has to walk far to get water. He said yes and these days they have trouble finding flour or even finding out the (extremely exorbitant) price. It is filled with mites and mold.

Humans are doing this, not nature. Certain humans. There is enough food and housing and love in the world for everyone and there are ways to distribute it.

If your taxes have ever funded the IOF, here is an opportunity to pay back some of the reparations you owe.

Donation-protected GoFundMe for Moneer and Sham

Same for Ahmed Al-Mashaal

More about him

More about Moneer and Sham

@opencommunion @phaon1 @heliopixels @neechees @beserkerjewel @deepspaceboytoy @rhubarbspring @lesbianmaxevans @malcriada @turian @sxpph0 @rebel-girl-queen-of-my-world @neptunerings @dykesbat @halalgirlmeg @userpeggycarter @minosbull @hamstertross @buttercuparry @kaleschmidt @jaylung101 @irhabiya @captainsaltymuyfancy2 @timetravellingkitty @sun-and-moon-side @socalgal @xinakwans @kahin @greenmossyrock @theparanoid @steep1253o @victoriawhimsey @dirhwangdaseul @cruzwalters @ladycelebrianofimladris @tamamita @50seagullsinatrenchcoat @deathlonging @nconiku @briarhips @kaislittlecorner @mahoushojoe @sar-soor @rhubarbspring @pcktknife @sawasawako @feluka @anneemay-blog @ralfocups

[hoshinasblade]

you are so close to gaslighting yourself into thinking that maybe, just maybe you have already told hoshina's mom in the past what your favorite tea is.

the problem with that thought is today was the first time you met the mother of your boyfriend.

you denied it in your head - for all you know, perhaps mrs. hoshina is just really a good at guessing. that, or you are going batshit crazy.

because at that very day, people you have met for the first time - people who may be friends with hoshina soshiro but are practically strangers to you - seem to be aware of small details about you.

captain ashiro complimented you on your blue dress after shaking your hands, saying it's obvious why it is your favorite color, emphasizing how it brings out the intensity of your eyes. even okonogi, who you know works directly with the third division's vice-captain, had a specific joyful aura on her friendly face as she offered to hang out with you in the future, mentioning how she is a fan of true crime documentaries too and suggesting in the same breath that you should try the pudding sold in the headquarter's cafeteria.

you could have let all of that go if only you did not blush like a teenager after hoshina's own older brother called you by your childhood nickname during family dinner.

"i'm sorry." hoshina's hand found yours, his thumb drawing patterns on your wrist. he knows you'd been on edge since morning, and although this is entirely your idea - meeting his friends and his family in one day - he wouldn't blame you if you're overwhelmed.

"they did their research on me or something," you tried to laugh the nerves away. it didn't work.

"ah." hoshina suddenly looked guity. " that. well -" he stopped for a moment, gathering his wits, choosing the right words to say. "i mean, it makes sense that everyone who actually knows me would know about you, really."

you wanted to joke as a response; you wanted to say that he's talkative and tends to yap for hours about stuff he loves so yes, people around him would naturally know things about you. but then you caught yourself because this is yet another confirmation of what hoshina soshiro had been telling you for months now - that you are someone he loves.

you did not know being known could feel this sweet.

"huh. do you reckon i can extort them for information about you next time?" this time it was your turn to grab hoshina's hand, and with your forefinger, you traced three little words on the warm skin of his palm.

[author's note: hello guys, i know i haven't been posting a lot anymore, but i am thankful to everyone who still remembers this blog - yes i can read your asks, yes i see that you've tagged me in a fic, yes i checked my notifications in this blog every now and then. it might take me long to respond most of the time so apologies in advance but please know that i appreciate all interactions from everyone.

also i dont need to remind you but i don't tolerate copy-pasting or reposting any of my works anywhere. i read a lot from here too, and other writers can attest to this as well - we know if a line or a paragraph from any of our works is copied and/or reworded. ]

[rotzaprachim]

there’s also just a big problem with differences in culture, aesthetics, and lifestyle that are strongly tied to demographics, geography, and ethnicity- and therefor political orientation- instead being read as indicators of class, with things more common among the urban populations, people of color, young women, and Jews - and therefor liberals - being taken as snobby, elitest and upper class while things more common or associated with rural and white people are real, authentic, middle class, and true. In both cases they’re just ways to spend money that often aren’t inherently progressive OR conservative, because you’ll find urban conservatives and rural liberals, but they are also therefor not sole markers of class, which is why I need people to get a hell of a lot smarter with their class consciousness - I’m sick of liberals doing some woe is me business and leftists repeating conservative logic.

there’s nothing inherently more expensive about having higher value hiking gear and fleeces than hunting gear - but only the first is suss. Hiking is not an inherently more upper class sport than hunting. Yeah you don’t get food from it, but it’s also got a much lower start up cost, and it’s a way for people from densely packed urban areas to become nature. People in cities like coffee shops and cafes because they’re places to meet with friends when your apartment is too small to fit anyone - that isn’t an inherently more resource intensive thing to do than have a house in the suburbs or rural areas big enough for everyone to come over! Ditto support for museums and cultural attractions - these are often free or cut price and safe places to take children or spend time on the city. Ditto things for urban areas, especially working class urban life, like bike paths, bike racks, and bike recharging areas. A top quality urban electric bike is often less expensive to buy and then maintain than a cheap car, esp if you’re a single person and single commuter, as many urban people are. A subscription to a local theatre company or indie movie theatre may well cost less than cable and have something every week. Tofu and hummus may cost less than the most classic meatloaf and mashed potatoes. Good walking shoes and fancy headphones may be essential gear for people who walk miles and take noisy public transport. Overall, a lot of the famous liberal excesses of elitest yuppies and urbanites are often fully logical indulgences when taken in combination with living in much less resources intensive housing, in more tightly packed areas, and with greater walking and public transport.

my point isn’t that any of these things are good or bad ways to spend money. It’s the reverse. (A lot of working class and poor urban dwellers are left out of the above, but a lot of working class and poor rural dwellers are left out of the aestheticisrd Middle America working man miasma of single family homes, trucks, and thanksgiving dinner. In both cases this is about the middle class norms.) Nor is it that there are inherently right wing or left wing ways to spend money. My point instead is that America fundamentally has a problem with thinking that the aesthetics of the more rural areas are “good” and understandable whereas the aesthetics and lifestyles of more urbanized areas are elitest and suspicious for things that are fundamentally just different ways to allocate and spend money in ways that are perfectly logical relative to location. Everyone needs to get a lot sharper if they really want to work out what the problems are.

[lorithescrump]

Hell yeah get ready for the info-dump of the ages, folks!

Cadaver Backstory Dump Let’s Go

Cadaver absolutely misses his adoptive family. This retired ranger and his wife adopted and raised this freak of nature left on their doorstep one night as their own son with unconditional love and support (something Cadaver doesn’t come by easily) and Cadaver will always despise himself for destroying that. He especially grieves his mother.

Cadaver was a very angry and impulsive child around the time his Dark Urges started to manifest, constantly getting into fights with the local children and even adults on occasion. He kept quiet about this when he’d come home to his family, keeping it a secret refusing to elaborate on how he got those scratches and bruises.

If they did take on any jobs it was orders from Bhaal. Cadaver was something of an assassin for Bhaal, but there were times when he would “hunt for sport” going after recluses and other civilians living in the wilderness surrounding Baldur's Gate who wouldn’t be missed. He became something of a "monster in the woods" scary campfire story/legend because of this.

Cadaver tends to speak in a stoic matter for the most part, being taught to be imposing and charming to demand respect and control, but when he is more on the casual side he uses profanity regularly and is a bit of a lovable douchebag. His charisma is his highest stat and his intelligence is his lowest followed by his wisdom and he’s one part chaotic good other part lawful evil so do with that information what you will.

Sceleritas job boiled down to three main demands: Keep him alive, keep him in line, and assist him when demanded. Cadaver had a very short temper and patience with Sceleritas (he did with just about anyone) believing him to be babying him and shit at his job but a part of Cadaver knew he'd get himself killed if it wasn't for hs butler.

Cadaver lives by the motto “loot everything” so he absolutely inherited some money hunger, pocketing all of the riches he'd loot off his sacrifices. He likely rolled his eyes at any merely extravagant gifts or offers but hey, it’s odd to look a gift horse in the mouth, right?

Not that I can think of or come up with off the top of my head, no.

The two treated each other like really shitty siblings, taking out their Dark Urges on one another. Orin loved getting on Cadaver’s nerves to get a reaction out of him and get a reaction she did with Cadaver going so far as to nearly strangle her to death (backstory of the scar on his mug). Orin loved tormenting and taunting her elder brother and Cadaver hated his infant sister sine her birth when he was a teenager.

Cadaver and Gortash sticking by and backing each other up in just about any conversation and Orin being her chaotic unpredictable self irritating Ketherick and Cadaver who are equally as desperate to get her to stfu so they can deal with the situation at hand.

Cadaver and Gortash actually met briefly in their late teens, becoming good friends after Cadaver accidentally saved his life (I like to think the reason Gortash was so fond of Karlach was because she reminded him of the other beefy Zariel Tiefling who fought for him and saved his skin as a boy). Later on upon being reunited in their adult years Gortash admired Cadaver’s drive and hunger for power and control and how far he was willing to go to achieve his goals and ambitions.

Cadaver was absolutely addicted to the praise and attention and was constantly drunk on the amount of power and influence he had over his fellow Bhaalists. He never acknowledged any of the cultists as people however, just things to exploit, fill up space, and live as proof of his worthiness of his father’s praise and attention. He was honored as more of a murderous emperor or feared gladiator rather than a celebrity among the cultists.

Having spent his boyhood raised by a loving lower class household and being shown love and sympathy from them has given Cadaver a subconscious sense of sympathy and pity for the needy.  During his years as a Bhaalist Cadaver would shame and scold himself for even considering showing mercy to the worthless and desperate, but he did have the occasional moment of weakness and sympathy. He claimed it was a one time thing, but this brief encounter would stick with him long after in the corners of his mind.

His beloved ranger companion, Lupus, served as his guard dog as well as his battle buddy and comrade. Any attempt at getting so much as a drop of blood from Cadaver would result in some wolf fangs to the neck (or crotch if you’re really unlucky).

A bit of both. Any targets assigned to him directly would be handled with some kind of tactical approach while any hits assigned by himself were absolutely impulsive and on a whim, being out for nothing but blood and whatever's left on the corpse.

As a child Cadaver was definitely mocked and made fun of for his appearance, looking too much like a human for a tiefling and vice verca. He did have an act of rebellion as a teenager when he got a rose tatted on his neck as a way to modify his “hideous and unnatural” appearance into something more presentable. In his adulthood he has grown to appreciate and honor his own body, showing it off and viewing as a weapon and a symbol of his endurance and strength. Bud lives by the barbarian “tits out guns out” philosophy.

As I am procrastinating and crafting backstories all in one go, I shall share a sheet of questions with you to share or answer yourself.

Past Life Dark Urge Asks - 1st Edition:

Do they miss their adoptive family? Why or why not?

Did they keep anything from their old family and home? A memento or a skill perhaps?

When Sceleritas fetched them from their comfortable home, what did they do on their journeys? Did they take on any jobs?

Do they speak casually or do they try to adorn their speech with frills? Do they maybe even dare to curse?

What was their relationship with Sceleritas like? Did they like their ever-adoring butler or did they try to run from the most wretched mother hen?

Bhaal loves money; did your Durge inherit that trait? Do they enjoy luxuries or try to live a frugal life, giving their all for their temple?

Did they have any connections or companions outside of the local underworld? If so, what were those connections like and if not, why?

What was their relationship with Orin like? Did it change at some point?

What would a typical meeting of the chosen have looked like when your Durge attended?

Gortash seemed to have admired Durge, what did they do to deserve this admiration? Did they have any notable personality traits or did they impress him in some other way?

The other cultists. How did your Durge view them? Did they enjoy their following or did they dread being idolised?

Durge gave a gold coin to a beggar once; why did they do it? Did this occur regularly?

Orin has her faithful group of changelings. Did your Durge have a similar 'personal guard' or task force at their back and call?

Durge famously acted as an assassin in the last decade or so. What was that like? Did they plan everything out meticulously, or did they act spontaneously and on whims?

Bhaal handcrafted Durge. Do they enjoy and worship their appearance, or did they have a rebellious phase, trying their best to change their Lord Father's grand design?

[blues-valentine]

This is my last post about it. OBX 4 wasn’t just bad in terms of JJ but all characters in general.

The writers, knowing they’d kill JJ off, started a character assassination train on him perhaps expecting us to feel like he deserved to die? But we know JJ. We all know JJ’s reckless but not to this level of detachment. He was acting like an entirely different person. JJ would’ve never treated Kiara, John B or any of his friends like that. Ever. Not matter how bad life turned out. Even with the whole “JJ blew all of our money!” it’s like they wanted us to hate him so badly.

Don’t even get me started on how bad that JJ plot twist was and since Part 1 I said it. Trying to erase his entire life like that even when it didn’t make sense was lazy writing. And all for what? To have his biological father be the one to kill him at the end? Because that’s the only possibly cruel explanation for that plot twist.

Killing JJ in such a way when this character spent his entire life suffering physical and emotional abuse from his adoptive father is cruel and it sends such a sad messaging.

OBX has always been bad at giving the girls good story lines and that aren’t always about their boyfriends. Kiara’s relationship with her parents was totally ignored. We got from them cutting her off at 401 to them clapping for her at the ceremony and we never got to know how they reached that place. Did they go to family therapy in those 18 months? Did they talk and came to an agreement together? But nothing.

Cleo didn’t get to have a story line that wasn’t mostly adjacent to Pope. And for a character that’s been here for 3 seasons we only know she worked for Terrance and it’s good with knifes. We don’t know her actual surname. And I was expecting more from her revenge plot and I feel silly for expecting that from those writers.

Sarah’s PTSD regarding Ward was never further explored. The writers also forgot about Wheezie and Rose. Sarah wouldn’t have continued on without trying to reach out to her. It’s like they just didn’t want to deal with it. And the worst one is them making Sarah say she didn’t feel ready for a family at her age for them to forget about it and have her pregnant. Despite how silly it is considering the circumstances of their life and how much trauma she has to heal from.

Don’t even get me started on the way the writers never explored the girls relationship. The only bonding scene between the girls we got was Sarah telling Kiara she’s pregnant and Cleo wasn’t even there. We never saw them just existing as young girls just joking around. Hell; even a whole boys conversation would feel somehow natural and we didn’t even got that.

Pope is a killer now? And by the influence of Cleo not less. Did the writers forgot about Season 3? And how she was the one that stopped him from killing Rafe. So, now you’re telling me she was the one egging him on to become a killer. Make it make sense please.

And the pogues dynamic was so bad. God, it was so out of character for them all. Firstly, John B would’ve never allowed JJ to walk into that self destructive path especially after learning about Chandler. And then, the way JJ confessed to Pope he was sucidical and he just didn’t say anything about it? Kiara was also incredible out of character. And that death scene was particularly dumb in so many levels, because it could’ve been preventable and it was pointless. But the thing that pisses me off the most is that the pogues stood there watching. In a scene that felt perhaps a bit anticlimactic. “Not pogue gets left behind” but they buried him on a desert in Morocco and had Rafe be the one to dig the hole too. Those are not my pogues and this wasn’t the dynamic I feel in love with. OBX went from being a comfort show to give me so much unnecessary frustrations.

[highlynerdy]

This moment broke me into pieces. The fear and shame that ZYC felt after finding out he lost control and hurt someone he loved. Even though he was cleared of the crime of killing the night watchman because of Li Lun, it's just the obvious terror he feels at being taken over by something he's spent so many years of his life fighting.

Watching the people he cares about defend him and being lumped in with him probably rubbed salt into the wound even more. How they all surround and protect him.

But the being unmasked. Vulnerable. A target for the hatred and cruelty of the masses. The center of attention as Zhou Yichen hates to be at the best of times.

Zhao Yuanzhou's incandescent rage and protective nature over Zhou Yichen fuels so very many of favorite shippy dreams. But even if you just read it as a found family/friend caring about someone in a vulnerable state it hits like a ton of bricks.

Because the place that he is coming from is so painfully visible to all of us as the audience. He has been on the other side. Misunderstood and alone and hated. We saw his breakdown in episodes 16 and 17. The grief of being alone and scared.

How kind he is. This demon who just adored humanity and all it's quirks. Who just wanted to experience the human realm and their wind toys and their rain. A demon who's power is meant to devastate so loved the world something something. We've seen exactly why he walks towards death. Why he yearns for it.

But oh. To protect a person you care for. There's something here to be said about outing yourself to protect someone more vulnerable but I don't have the skills to talk about it well. But it still digs into my heart to see ZYZ do the whole "oh, we'll see who's a big scary demon here" to protect Zhou Yichen. To make himself the target.

Gods above, just the pain as the tears roll down both of their faces and the world curses them.

He's still protected by his chosen family.